Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Sure thing! Dolby’s response to Yedlin: “Not all TVs have BT.1886”, “BT1886 only works in reference environment” “contrast is up to each display” “HDR & SDR can only look the same in the grading suite with reference lighting” - all powerful rebuttals to Yedlin’s “only SDR is capable of showing...
Yedlin’s treating Rec. 2100 (or more accurately, P3-D65 ST 2084) as just another color space or container really squanders HDR’s potential. Think if, instead of giving us so many immortal piano works, Beethoven had written for the harpsichord, with its limited range and power. HDR is the process...
The following is the final paragraph from the ChatGPT summary.
As colorists, your job is the artful control of relative contrast. Yedlin’s “Debunking HDR” is a reminder that—regardless of whether your client asks for “HDR approval” or “SDR deliverables” —the true creative work happens below the...
Fact-Checking A Few of Steve Yedlin’s Claims
CLAIM: SDR Can reproduce subtler increments of luma and chroma at a given bit depth than HDR.
FACT-CHECK: If content is authored and displayed strictly within SDR parameters (e.g., 8-bit Rec. 709), it can appear smooth on compatible displays...
Correction: It is not a transcript. What it is is a summary of the presentation. Adam first fed a transcript of the talk to ChatGPT, then he broke it down into sections and emphasized the key takeaways.
At a workshop at Scandinavian Photo, Leon Barnard of Team 2 Films says the ASUS PA32UCXR can do 16,000 nits, not once, but three times.
“It’s got incredible brightness. It can do 16,000 nits peak, 1,000 nits full screen, so it can do 6,000, you know if there's a small portion of the screen, it...
Yes, I’ve got the ASUS PA32UCDM but I haven’t done much grading with it yet. I calibrated it with ASUS ProArt Calibration software. It only took around 1-1/2 minutes! I purchased a Portrait Displays G1 Pattern Generator, C6 HDR5000 colorimeter and a Windows laptop to calibrate my Samsung S90C...
T2F seems to always have wrong information in their videos & this time is no exception. You do not want to use PQ Optimized for grading. And there is no Rec.2100 PQ mode. The correct choice is HDR_PQ BT.2020/PQ Clip.
Yedlin says during the presentation, “the things that are actually different about HDR compared to SDR are all detriments, not advantages.” The man is seriously unwell.
https://daejeonchronicles.com/2025/05/12/steve-yedlins-expertise-is-a-sham/
I can assure you that had I written half the...
As Rec.709 is not supported in HDR workflows (since it was defined in the age of the now-defunct CRT) and has a maximum dynamic range of 6 stops, you’re not really going to lecture us about highlight control, consistency across displays or support in post-production workflows, are you? Rec.709...
Yedlin claims that HLG’s only differentiating feature is a detriment and that utilizing it would be a logistical nightmare, even though (1) it is absurd to argue that HLG’s transfer function is inferior to Rec.709; (2) all devices - smartphones, laptops, tablets and televisions - support HLG...
As it turns out, Steve Yedlin told Vulture that there are actually two versions of Glass Onion: a grainier version for theaters and a more restrained version for Netflix. So kudos to him.
Yedlin empowers the cult by persuading them that their ignorance is as good as your knowledge.
The assertion that the relativity of human vision somehow undermines the superiority of HDR rests on a fundamental misunderstanding of how human vision works. HDR’s got an incomparably wider range of...
If scene white made no sense to you, you’re not alone. Not only is it not a thing, Yedlin was compelled to re-record the voiceover in order to clarify it - and, seven minutes in, you’ll be every bit as clueless as you were before.
Yedlin does not even appear to understand what diffuse (or...
“What happens to the grain downstream, well that's a totally different matter.”
@Steve Sherrick How the grain of a movie or TV series will appear once it’s distributed is not only of immense concern to streamers, it should also be taken into consideration by filmmakers. As a matter of fact...