Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I believe it. Arri 35 is gaining popularity in high-end corporate, sports, and other non-cinema applications. NFL films shot on Amira for years and has moved to the 35.
Just to clarify terms, if you want to shoot in IR spectrum (rather than visible) you're after IR Bandpass, not filtration.
Most modern lenses have varying degrees of UV and IR filtration, but it will depend on the lens. Generally older and "worse" lenses will be better for UV/IR shooting...
The C400 content I've shot thus far is unlikely to see the light of day outside the client, but the r5mk2 stills work will be public soon. I'll try to link it when its time.
“all-rounder” is not used as a prejorative in this case. I use it as a complement as its capabilities encompass a broader range of use cases than many other cameras, including “cinema”.
Camera companies use the marketing phrase ‘cinema camera’ because a certain segment of the market needs...
People still get hung up on weird fetish discussion on what is or is not a cinemaaaa camera.
I shoot on Raptor-X / XL, Arri 35, and now C400 - and they are all great cameras perfectly capable of making Hollywood level images. Strengths and weaknesses for all of them.
I'd argue the c400 is...