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Someone needs to tell producers that orange & teal don't sell tickets. Nobody ever didn't buy a ticket because a film had nice, natural colours.

(15:18)

I saw your IG post this morning, Phil. "6K for $3K". WINK WINK. I wonder if Red will ever make an integrated camera?

I agree. A few years ago I got the idea that cinema will take it up a notch - full sized IMAX. The films will be cheaper to make, because the format is the effect. The format is the attraction. People have been able to do their own lightsaber effects since the days of the G3 iMac, for goodness...

Oh, okay, so that's what a beam splitter is. Now I understand. I presume that the cameras are slightly offset? Also, what are the limitations in terms of wide angle lenses? And, which do you prefer: side-by-side cameras, or a beam splitter?

Lennert, it's interseting that you are posting about stereo photography. Just recently, I bought a Fujifilm Finepix Real 3D camera. It has a 3x zoom and a stereo display (but no EVF). It's much more useful than the Hydrogen, although the screen is half the size. I really do like...

I watched with the sound off. I thought it was pretty good! YouTube compression did ruin the texture of the image, though.

David, when you post items in this forum, you have to list a price. It's the official policy.

Yes, that's it.

Maybe colorists have more power in the commercial realm? I have heard a couple of DPs talk about that issue. Maybe I don't have enough data.

The colorist.

These hybrid cameras are getting much better at video. I would not blame you for choosing this over a proper cinema camera. Just a point to think about: the Sony A7 from 2014 has 14 stops of DR. So we really haven't found a way to go beyond that (some cameras do but they are cinema cameras).

I agree. That's all on the colorist (and the directors and DPs who cannot override them).

Perhaps there might be an issue with blackshading? I think you have to perform a blackshade when the camera is hot.

Of course it can. If you are a DP, or understand cinematography, that's all you need. If you are a lay person, you have to explain what cinematography is, after you explain that 'cinematic' equals 'deliberation'.

As I said: if it's cinematic, it's deliberate. You can sum it up in one word. But, some choose to waffle and equivocate.

All cinematic imagery is deliberate, even if not all deliberate imagery is cinematic.

I haven't watched the video yet. But, I can tell you what 'cinematic' means: deliberation. If it's deliberate, it's cinematic. Thank you for coming to my TED talk.

(7:54)

All I can think of is to finely tune the frame rate to sync with the light source. Or rent a V-Raptor X.