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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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    Shot on Red One on green screen at home with a little bit of artistic licence.

    Shot on Red 4K/24 fps. Redlogfilm + aftereffects +Davinci RED zoom lens 50-150 mm /F2 https://youtu.be/L5dwl-hzFZ4
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    Red One (Red 50-150 mm zoom) footage test.

    Hi Guys, Here is RED zoom lense 50-150 mm /F2 quick test on my red one. 4K/24 fps. Redlogfilm with vintage color grade in Davinci. https://youtu.be/1KEcT_4WV9Q
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    Best settings for final export of your .R3D

    Hi Guys, I would like to ask which settings you usually use working with Davinci Resolve for example. I had a 20 min project recently. After editing in Davinci and exporting all with YouTube settings H264... my beautiful 4K .R3D footage looked so badly!!! Final file was about 800mg! Even if i...
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    RED ONE 18-50 T3.0 PL Zoom Lenses vs other alternatives (Side by side comparison)

    Hi guys, Im a new Red One owner. Ive been told that mine Red zoom 17-50MM and 18-85MM lences are shitty comparing to other lences zeiss for example. Could anybody tell me why? Any examples of side by side with same scene and light amount? http://www.red.com/products/lenses
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    Dynasty tvseries 1980 vintage color grading technique

    Hi guys, Im new Red one owner. I want to make short movie that would look like Dynasty tv series 1980. I understand that I need to use same light sources as they used in that time period. Same story with lenses. I've heard about black pro mist filter. My question is, could I achieve same...
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