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I lost one of the rubber bushing design for the Nikon mount whilst changing the lens. The other is worn out and no longer fits. Although awkward to use they make a huge difference. I'm wondering if I am using them correctly, or if they are just tricky to use. And by the way I read the thread...

Since I work with the red one, Its the first time I got so many problemes. Today was a festival of technical incidents. Hope some guy's here have a solution to the issues I met this sunday. Just tryed to send an incident ticket, I'm not shure it worked. So, I was shooting an interview at 25FPS...

Hello red Users. I finally had access to a fast internet line and did upload that 4'40'' clip on Vimeo. Result of playing around with the redone. No color correction except a slight S curve in redcine and the saturation pushed a bit. No brightness or contrast apply. That was shot this summer...

Having problemes when I try to replay the takes on camera. The wired thing is it worked on B16 until I filmed a big fat Oak in a High cituation contrast (no codec error). Until then what ever I'm shooting, camera reboot each time I try to replay. Uploaded the last version of B16 yesterday...

Before involving some actors and actrice we ran some test on diferent talents. Some frame shooted with the Nikon 35mm F1.4; 50mm F1.4 and 60MM Macro F2.8 And link for the fishes in movement. direct link...

Et voilà, another red camera ready to shoot. Funny feeling to finally play with it. I even can't remember when I started following the adventure of the red one. All I remember is I was waiting for the cine porter to buy a HVX. And then...Hé hé. I'm in another league now and the low dollar...

Hello everybody, I was wondering if any Francophone will be at IBC this year. I'll be pleased talking about the red one with convince people in French. So I'm waiting to meet the French and belgium connections around a good deutch beer. Cheers

Waiting like alot of us for some feed back from vegas, and I found that one on macrumor live. Sound goood. 11:25 am Final Cut Pro can manipulate 4k files, Realtime SD-HD conversion, available in july.