Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I tried the MC5 and RED ROCKET combination but so far, I haven't been able take advantage of the RR performance.
The RR is working using the REDCINE-X no problem, playing back in full debayer and rendering 2 minute footage in less than 3 minute (to ProRes422 HQ).
Then I take the same clip and...
Now I get to work with MC5, I can see if there's not much grading requirement then output from MC5 could work, but what would be Avid's favorite workflow for compositing and grading?
Our short film "Another Tea?" is nominated for Short Shorts Film Festival Tokyo.
http://www.shortshorts.org/2010/en/official/a-f.html
I couldn't get to see the screening but many said our film shot solely with RED ONE had shown totally different level of picture quality comparing to other...
What does MC5 use to show R3D on the screen? I guess AMA then AMA takes all of the R3D metadata to correctly process the picture? So it won't need RED QT codec (which is not completely supporting R3D metadata).
There's a presentation by Musetex, Rock Studio and Lantis for cinema making using RED ONE this Saturday (June 12th). The presentation will be made by one of the RED ONE authorities, Peter Majtan. We still have some seats left on the second presentation, so if you are around Tokyo and want to...
I was playing around with CS5 and it feels really nice to be able to work natively, edit with the right and latest look of the metadata, then I thought maybe I should try adopting the Cuda for the Mac Pro. There are FX4800 and GTX285 available and has anyone successfully adopted the Cuda engine...
Aside from our main suite equipped with Sony BVM-D24 and Panasonic TH65-PF12, I got myself a TH-P42V2 for the non-critical work. My personal system in consists of Mac Pro 4,1, Matrox MXO2 LE, TVLogic LVM-173W (used as easy waveform and histogram display) then now TH-P42V2 is added to replace...
I finally had time to play around with the Core i7 Mac Book Pro tonight. I applied the Eyeone Display 2's monitor calibration and noticed that the dark area looked little lifted. I thought since LCD display don't have the contrast control, maybe the calibration didn't fine adjust that but what...
Virtu 吉祥コレクション映像
Rock R|Cでは、プロデューサ高橋敬子氏の依頼を受け、英国Vertu社が企画した人間国宝/漆職人の室瀬和美氏による限定吉祥コレクションの製作過程ならびにインタビューの撮影を行いました。
RED ONEでの撮影をというご依頼で、桐島ローランドを撮影監督、千葉孝がカメラ担当、照明担当はモリタケンジ、録音は山本健司ならびに昼間智也、R3Dハンドリングのプロトコルを伊藤格が担当しました。
ウェブコンテンツ内のフラッシュで、工房や作品のスチルはRED ONEのフッテージです。動画はRED...
Rock R|C shooting squad had shot Kazumi Murose, a living legend for Japanese Urushi finishing working on the Vertu Kissho collecton and interview.
Producer:Keiko Takahashi
Director of Photography:Rowland Kirishima/Rock R|C
Camera:Takashi Chiba/Rock R|C
Lighting:Kenji Morita/Rock R|C
Audio...
I finally got the time to test the up coming Retail version of Clipfinder with REDCINE-X script support.
I had a timeline on FCP and save the XML.
Read the XML with the Clipfinder with subclips (more options available now), then choose Send to REDCINE-X (timeline or bin).
The FCP timeline...
This is our RED ONE production team, Rock R|C's first major music video job, Emi Tawada's "Lovely Day".
http://www.youtube.com/watch?v=tOo6C7LlcHE
All footage is shot on RED ONE at Rock Studio, one stop RED ONE production studio in Tokyo.
Directed and edited by Yo Kohatsu (the director of the...