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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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  1. P

    chassis for Red Rocket-X

    Finally getting a Mac Pro cylinder/trash can. Anyone have any recommendations/advice on a chassis that works well with a Red Rocket-X card? Thanks in advance, Phil
  2. P

    Epic fan issues

    Was shooting an interview this past weekend with the Epic. About 18 minutes into the interview, as the camera was rolling, the fan self-activated and interrupted the take. I had the fan controls set to manual (and set to 25%, would have set it to an even lower number but that's the minimum...
  3. P

    Nikon mount and Nikon 18-300 zoom

    Does anyone have experience shooting a Nikon 18-300 lens with the new Nikon mount? It's not one of the lenses listed as supported on the Red website. I'm fine if non-support means lack of auto focus or auto iris. I'm more concerned about vignetting or any other issues the lens may have with the...
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    4K vs. 4K HD

    4K vs. 4k HD? Very new to Red and embarking on a feature length documentary with the camera. Based on what I have read, 4K HD sounds like it's ideal for anything that's primarily going to be broadcast or screened in 1080 HD and 4K is more suited for theatrical releases. Is that a good rule of...
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    Compression question

    Is there a standard compression ratio that's preferred for feature length films? I'm about to embark on a documentary feature film that will be generating A LOT of data. There's also a slim chance it will have a theatrical release. I know 5:1 compression is what's traditionally used on...
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