Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Selling my CP.2. Bought it a few months ago intending to start a set but I've been self-funding my first feature and I'm going to have to put off lens buying for a while. Great condition, gears are smooth, glass is clean. Asking $2300 OBO.
Just put out the first teaser for the film I'm DP/Directing, Paramnesia, shot on RED Scarlet-X:
Lenses: Sigma 18-35, Zeiss ZE 35, 50, 85, Some Canon 24-105
Cut in FCPX
Shot on Dragon at 6K on a green screen cyc and integrated with a virtual environment:
Dir: Alex Manning
DP: Tripp Green
VFX: Nathan Barrick
Elements Studio
I shot this feature a couple years ago on my Scarlet with Zeiss ZE glass. Very, very low budget project that's showing on the new streaming site FlixPremiere in the US and UK.
Shot on Scarlet-X, graded in Filmconvert:
https://flixpremiere.com/film/changeover
Just thought I'd post a few stills and a link for the teaser for Changeover, a feature film currently in fundraising to see what ya'll thought:
Shot on Scarlet-X:
Check out the teaser at www.indiegogo.com/projects/changeover
Thanks!
I just got a Formatt Hot Mirror ND 1.5 and was surprised at the extreme color cast present. The filter is a 77mm screw-on. I attached a jpg of this, and was wondering if maybe I'm doing something wrong here, the other shots I've seen on the forum using Formatt haven't had nearly the Blue/cyan...