Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I'm working on a project and the colorist has requested to make the final color correction in RCX.
Here's my workflow I'm going to use, but correct me if I'm wrong:
-get proxies from clipfinder and drag them into final cut
-picture lock cut and export xml of sequence
Here's where I'm not...
Sorry to bug you guys again....
so I had a couple issues relinking back to the 4k resolution in Color, so I decided to try using Cinema Tools instead and I followed step by step instructions from the whitepaper "Using RED Media With Final Cut Pro v30.10"
I got everything exported out right...
so I have a project that we shot on the red camera. here is the workflow I ended up using due proxies not created for some clips.
In FCP->L&T chose "shot as" and imported "native" red->pictured locked my sequence.
There are some clips that have vsfx elements in them and my vsfx team is...
I'm currently in post editing a music video and I was planning on using clipfinder to set up my proxy edit in FCP and then relink back to the original r3d files after picture lock. Some of the r3d clips created didn't have the regular proxies created for each single clip. I tried generating a...
I'm currently in post editing a music video. I'm using the offline clipfinder workflow as usual. I came across something. Some of the r3d files never had any proxies generated for some clips, so my question is how do I go about taking the r3d files and creating proxies for them using...