Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Hey guys-
We have a big shoot in Seoul, South Korea with the US Army.
Looking to rent a Movi M10 kit. I've been trying to find one over the past couple weeks for rent and nothing has come through the pipeline.
I know Freefly has been pushing them out slowly but surely.
If anyone has one to rent...
What do you guys do if a client bails on a big shoot? Do you let them off the hook if its a 72 hour notice? Or keep things smooth and call it no sweat and move on....
Anyone got a hook on a Miami based sound guy they know and trust? Need him next weekend on March 2nd
These productionhub people feel a bit risky.
If you have a referral, they can PM or send an email to thom (at) seventhmovement.com
Thanks guys!!!!
Hey all-
Headed to Guangzhou, China on a tourist visa with an Epic and a Scarlet.
A bit worried about the gear. Its insured and our policy extends internationally but I am more worried about customs.
The reason we are headed there on a tourist visa is because we cant get a journalism visa in...
Local Audio Technician based near Abilene, Texas on February 23-27th. Dallas people too!
ENG work for ESPN. Prefer they have worked with RED before.
Please email me at thom (@) seventhmovement.com for details.
So we shot an entire feature doc at a variety of different frame-rates on Red Epic and Scarlet. We were run n' gun so didn't have time to resync and slate. We were recording dual system. Now our producer wants to see all these clips in 23.976 FPS rather than 96 or 120. So basically no slow...