Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Hi - just curious to know what I may be doing wrong / if there's a bug. I'm using REDcine X Build 351 to do some output tests. I've got footage shot with build 30.5.0 on an MX that had sound going direct into cam. Sound is there in the RAW playback in redcine X and in the proxies.
Yet, once...
Had a couple question for those of you with small to medium sized storage areas for your gear.
The company I work with has recently acquired new office space - with that there's been a big increase in the space we have to store our RED gear.
I was wondering if any of you would be willing to...
Here's a teaser trailer for our upcoming web-series called Un Second Lendemain (Second Tomorrow). It goes live on fonds.tv5.ca and on greenground.ca (with english subtitles) in October 2010.
Check it out here: http://vimeo.com/14431442
Hi folks,
Just got some rushes back to set and there's a problem with the images. We're shooting MX and the post house sent us rushes output in Media Composer 5.
The rushes have an ugly yellowish tinge that's particularly noticeable in the skintones, and is in every scene regardless of color...
Hi everyone,
I've been perusing the forums and while there are hundreds of tidbits of great information on RED workflows, most involve using clipfinder.
Is it possible at this point to do an offline edit (let's say in ProRes 422) and then easily do a conform to the RAW using Apple Color for...
Anyone have any experience with rack-mount sized enclosures? I don't necessarily need a purpose-built 1U enclosure - just an eSata capable disk enclosure that's no higher than 1.75 inches. I've scoured the web and while there are certainly 1U rack mounted enclosures, they tend to be more for...
Hey everyone - I'm curious to know what the support is like for build 30 footage shot with the new MX sensor. Seeing that both redalert and redrushes are currently down for the count in that respect, is redcine-x the only option at the moment? From some of the other threads apparently...
Quick question for you all - we're trying to save some adjustments to the kelvin and tint for some MX footage in REDCINE X so post prod will be able to get the look the DP wants (we want them to use our looks, not the metadata).
I've created a looks preset and saved it in redcine-x. From what...
Having a strange issue on set - when the new Mysterium-X RED is in either redcode 28 or 36, at 2K 2:1 on the RED raid there is a flashing white frame from 118fps to 120fps. There are white flashes and whatever image is live on the screen will freeze and stutter back and forth over a couple of...
We're a Montreal-based company with affordable Epic, Scarlet and RED One kits and all of the necessary accessories. We've got multiple packages to suit your needs, from full studio style to lightweight run and gun.
Need crew? We've got that too. Drop us a line or visit our website at...
Hey everyone,
A couple of projects I worked on, both shot on RED, are up for awards at the 2009 Much Music Video Awards. The New Cities "Dead End, Countdown" and Mobile's "Killer" are both nominated for best post-production.
The RED's already proven itself as a thoroughly capable production...
Hey everyone,
Our EVF has one of it's user programmable buttons doing an image zoom when nothing is mapped to the user-programmable buttons. A reset of all the camera's settings hasn't removed it. Has anyone else seen this? Any workarounds? This has been a constant source of frustration...
Hey everyone,
We were doing some camera tests for a feature and we've had a really strange bug crop up. During a slow motion test, the proxies for that file have gray frames. The R3D shows pauses where the gray frames are - the gray frames themselves are only visible in the proxies.
When I...
Hey everyone,
Finally a trailer for J'ai Tue Ma Mere (I Killed My Mother) that's playing at the Cannes film festival this year. Make sure to watch in HQ! Check it out here: http://www.youtube.com/watch?v=tDa0CkKjfsk
100% shot on RED, printed to 35mm. Opened to a standing ovation at Cannes...
Hey everyone,
This is a project that was done for the Fondation Hydro-Quebec Pour L'Environment (The Hydro Quebec Enviornmental Foundation). We shot footage all over nature preserves in Quebec - it was a really fun project. The video currently isn't in HD (I wish it were!). Hope you enjoy...
Hey everyone - some cool news. A feature film I worked on, shot here in Quebec called J'ai Tue Ma Mere (I Killed My Mother), has been selected to play at the Cannes film festival in the Director's Fortnight, and is in the running for a Camera D'Or.
This project was 100% shot on RED, and would...
Hi,
Was wondering if anyone has seen this before - on a restart our RED is starting to boot, then turning off, then turning back on again, and off again, repeating this cycle about 3 or 4 times before finally starting up. So far it hasn't impaired the overall functions of the camera, but we're...
Hi everyone,
It's been a while since I've touched post with the RED - last time I used it Crimson was a big part of the workflow. We have a project that's had all of the footage ingested into Apple ProRes 422 HQ through the log and transfer application and is being cut.
The final grading will...
Hey guys - some more greenscreen work from directors Felix & Paul. We shot 3 different ads over the course of 2 days. Most in studio, with a little location work for the plates.
Agency: Cinelande
Directors: Felix Lajeunesse and Paul Raphael
DOP: Philippe Roy
Motion graphics + animation: Felix...
Hey everyone,
We're proud to present the latest 'shot on RED' video from directors Felix and Paul (www.felixandpaul.com). Canadian band Mobile's song "Killer" was given a sci-fi treatment - a little Blade Runner, some Akira, among other influences.
Check it out here...