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today. so, i grabbed it. Epic M #884 in safe area. It happened that when it arrived with DHL, we had music of Beethoven playing in the edit suite ... so, this Epic is called "Beethoven". Just imagine we had Lady Gaga playing at this time ...

this was a fun project, a test. a half day off at a shooting, i asked me, is it possible to shoot a whole commercial in only 3-4h? we switched on the lights, powered the red , i took my hybrid car (so the air kept fresh in the studio ;-)) polished and lighten it and we shot within 3h this...

today we started the shooting of a corporate film for the "Edeka", one of the biggest companies in germany for retail trade. we started with the "foundation scene" in an original set of 1920. original costumes of this times. shot on red one "travis" and red primes. almost all "in camera" with...

Here is a small reel with footage of the last 3 years. 90% are footage of my red one "travis" (remaining 10% are shot with Phantom, Arri 435 and some 5D stuff) Some compression issues in some parts, i will correct this soon with better source footage...

anyone knows about an epic used at paramounts "hansel & gretel" ?

i just ask some friends and girls to meet and shoot some make up shots on sunny sunday for our showreel, as always, red "travis" did what it does since summer 2008: producing beautiful images ...

is RedOne a still camera? yes. it is. we printed stills from 4K raw for big poster advertising in south germany and they look really good and brilliant. shot on red primes. i shot this today out of the car with iphone. looking forward to get the epic right now.

some new links of IRON DOORS, our first feature shot on red (long time ago) now in 3D ... http://www.today3d.com/2010/09/indie...-doors-3d.html http://www.denofgeek.com/movies/5902..._festival.html would be nice to see there in hollywood someone of red team ... sent us a email! contact...

iam thinking to buy an additional red one for a project. is it possible to order a brandnew red one with the new sensor?

heavy storm, heavy rain partly, coldness red #2072 travis at north sea germany

i just finished the edit on feature film SLAVE, shot on #2072 travis DoP : Kim Howland and me here are some small backstage impressions, we start colorgrading soon on baselight system ... http://www.youtube.com/watch?v=S3y77nvV3Tk&NR=1...

2nd day of shooting for a german sausage company. as every shoot, #2072 "travis" with razorsharp clean images and great DR. shot on 4K 16:9 with the classic red lenses 18-50 and 50-150. shot at one of the oldest school-museums in europe in black forest germany. more to follow ... (12 shooting...

first look on youtube of one of my clips shot on #2072 for the terenzi horrornights 09 some nice shots, enjoy:scared: http://www.youtube.com/watch?v=5W_7USZcjfM

we did shoot last winter a commercial for europapark in germany, the new coaster "blue fire" - here is a first look on youtube. better version will come soon on the parks website and the spot will go in cinemas in germany. shot on two reds, most stuff greenscreen...

this weekend we shot with #2072 "travis" some bloody horrorclips for "terenzi horrornights 09", a halloween show later this year in germans biggest familypark europapark rust. here some grabs from the footage we used highspeed lenses and promist filters.

summer is coming closer in germany, and we shoot some first barbecue clips for a big german foodshop. this is a big veal shank. so get hungry... shot with 18-50, 50-150mm and 300mm reds. btw. it was snowing on this day in this garden area ...

any news / updates of delivery 50-150mm? still waiting ... anyone around #2000 with delivery yet?

hi again, after "Iron Doors" shoot in december the 2nd feature is in work: SLAVE we are shooting with two reds, mine one "Travis" and one rental. this is a erotic thriller, we are shooting in cold berlin. first five days (of 27) no problems at all with the cameras, some issues with the...

another nice project, shot with two reds, is now in the last days of CGI rendering. i wrote, produced and directed the commercial for a huge familypark in germany and shot CGI shots with my red "travis". the other DoP was manuel wenger. he shot the main parts of the coaster-greenscreen shots...

hi red team the 1:1 zoom is a great support to get the right focus, will it be possible in future to have a function for the focus puller to switch it on DURING recording, in best case on an own monitor output. i think this would be amazing to get focus during dolly movements for example...