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Hello, Just wanted to know your thoughts, or even your experiences with some kind of adapter like this: http://sonnettech.com/product/tempossdpro.html I have seen it for PC, but I am Mac based and maybe already has had the experience of using it. Cheers!

Hello, I just got an EIZO reference monitor (CG series), which has 2 DVI and 1 DisplayPort inputs. My platform is Mac Pro. When I try to feed the monitor with the signal from the DeckLink, either directly through the HDMI output or converted to DisplayPort using the HDLink, the monitor does...

After getting the go ahead from BMD, I can report that the new version of Resolve is a big leap from what we know Resolve has been. I feel confident to do full conformance inside Resolve. So, finally, good bye to the round-trip to FCP/PP ! Cudos to the Resolve development team, specially to...

Peter/Rohit, I am processing a footage for a DCP authoring, and I normally use a transforming LUT to generate DCI P3/7 compliant material, so I can by-pass the DCP software auto conversion. I just did a test, and exported 3 three minutes of the material using the Resolve TIFF 16 bit XYZ...

Hello, I want to share with you a simple, yet amazing piece of software that I found. If you have been longing like me for a really user-friendly, easy-to-use DCP player for MAC, look no more!!! I recently acquired the new Mac DCP Player from QuVIS. It allows you to play a properly rendered...

Hello, Is there any intention to create a RGB P3 as part of the Red Color Science, just as Resolve has for footage generated by the BMD camera? That way, with the monitor calibrated to P3, and with a simple transformation LUT (from RGB P3 to X'Y'Z' P3 color space) we can have more control of...

Just quick trials. Do not know the plot... PS: Done within full range, so may look dark in Rec.709...

XYZ is a mapping method. But, it is used to display colors. The reason you see it greenish is because you are viewing it through a device calibrated for RGB. If you calibrate it within XYZ limits, then the images are going to look "normal". That is exactly what the digital cinemas are...

I could not find and thread with any discussion regarding this subject. So, my question is: Is there any plan to have Redcine-X Pro support the Element Control Panel? Please advice. Thanks,

Missing a specific forum for this system. So let's try to see if this works to open a new "Mother Thread"...

Peter/Rohit, So, the access and ability to modify the Red clip metadata DIRECTLY from the Color Tab is gone, or am I missing something? I right click any clip on the timeline (Color Tab), and the older option is no longer there. I need to the media pool, right-click and the option is there. If...

I may be missing a VERY important step or procedure (which I have been known for), but for using the Element control panel on Resolve V9, 100% of the times I need to go through the full drill: open Resolve modify the panels selection to "None" close Resolve re-open Resolve modify the panes...

Since we have best of the best in this cyber-community, I would like to open this thread to ask all those masters (Mr. Most, Jake, etc., just to mention a couple of them) to share with us, from their point of view and in a layman way, not just what Log grading is, but the benefits of it over...

I know that July ends on the 31st, but I would like to initiate a conversation on how version 9 development is going. Based on the sneak preview we have seen around, we are very exited to get it on our hands ASAP. Any comment from Rohit and/or Peter will be greatly appreciated...!!! Cheers,

Hello, Does the Resolve TIFF exporting option in XYZ color space adjust the gamma from 2.2 to 2.6, as needed for DCP authoring? I have ask this question to many different people, and the answers are not consistent. Would someone confirm this for me, please? Thanks...!

Is there any document outlining the current Resolve mapping of the knobs/buttons for the Element panel? BTW: You guys in BMD ROCK...!!! This panel is so great...!!! Thanks for providing support for it...

By reading and posting in other thread, I was compelled to open this new thread. The issue is, basically, why all other software that use the Rocket to perform the debayering (such as Resolve) can funnel the signal via the DecLink, and RedCine-X Pro needs to use the Rocket outputs? In my case...

Hello everyone, We have unsuccessfully tried to use the sizing information contained on the XML to make it working correctly within Resolve. I will present a real case scenario, and if someone has had any success using it before, or has any suggestion, it will be welcomed if it is shared with...

Can we expect BMD to join the other software companies to support the new upcoming Tangent Elements control panel(s)? Furthermore, would finally BMD will allow the Tangent accompanied software to allow modification of the functions mapping? Please, do not what to initiate a thread only for...

OK, I was able to confirm that the new version of the RCX Pro does save all Post Effects metadata within the RMD created, including the FilmLook grain parameters. Would like to know if BMD is going to work on being able to interpret this new information contained on the new, more robust RMD...