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I've graded my footage in RED Cine X (build 221) and rendered it to ProRes4444. When its played through Quicktime it looks great. But when played in or exported from FCP, it looks horrendous. it looks pixellated (as if i'd rendered it to a low quality H264 file), so i thought maybe its the...

Hi I'm rendering footage to edit, and looking at my grading options. I'm working on a relatively low powered setup, so rendering footage is a time intensive process, and i'm looking at ways to streamline my workflow. My planned workflow up til this point has been thus: 1) A basic 1 light...

Hi I'm editing footage that was shot last year, i.e. before Build 21. I'm trying to do 1 lights in either redalert or clipfinder, and then generate proxies to edit in FCP7. Everytime i make any changes to the white balance, in red alert or clipfinder the footage looks fine, but the proxies...

Hi, I'm on a really tight deadline, and i have a project, edited in Premiere CS4, that i want to export an EDL from to take to a Avid DS grading suite. Before i edited i subclipped everything, but now when i want to export an edl, the edl references subclips, not the master files. I'm very...

Hi, I'm on a really tight deadline, and i have a project, edited in Premiere CS4, that i want to export an EDL from to take to a Avid DS grading suite. Before i edited i subclipped everything, but now when i want to export an edl, the edl references subclips, not the master files. I'm very...

Hi. I'm editing in Premiere Pro CS4, and then importing the project into AE CS4 for rendering, but i'm having a few problems in the transfer. 1) I'm losing all my transitions. I'm only using the default cross dissolves for both video and audio, nothing complicated, but they don't transfer...

I'm editing a couple of shorts, and I'm more comfortable with the FCP environment than the Premiere one. However, i LOVE Premiere's ability to edit natively. Sooo, with that in mind, i want to offline with FCP, and online with Premiere/AFX using the XML interchange, using clipfinder to...

Hi Folks, Looking at monitoring options for a RED on a Jib arm. With previous cameras I've used I've been able to use Adobe Onlocation to monitor through a laptop. I wondered, is it possible for a REDone? I'm fairly sure you can't capture directly to disk, but it would be great to be able to...

Hi, When inquiring after a longer lense I've been told by a hire company that if i shoot at 2K the standard PL mount 18-50mm lense becomes, in effect, a 36-100mm lense. Firstly is this true, and if so can someone explain to me why? secondly, is there an online resource of different stills...