Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Selling my Dragon, Sensor nearly zero hour, Very mint condition
Camera:
Red Epic Dragon body w/Titanium PL mount V 2.0 fans
DSMC side handle
Redmote
Red Touch 5.0" LCD
Red Bomb EVF Oled
3x Red EVF/LCD cables
Marshall V-LCD70XHB-3GSDI
Red Motion Mount Titanium Canon
Red Motion Mount Titanium...
Hi all!
Give me a suggestion of which you like most; standard zoom (17-50), covers 6K, works with motion mount, with reasonable price!
Thanks
Jonas Nystrom;
director & photographer
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cell +46 702 604 210
jonasfilm@icloud.com
www.jonyphoto.com
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Hi
Looking for a DIT for a fashion/commercial shoot at Seven Sisters 26/27 of april?
We will shoot with Red Epic. I prefer DIT with own red rocket set up/gear.
We will have a motorhome at the set.
Wish to rent Epic, Ultra Primes (and maybe a DIT) - Joshua Tree National Park
Shoot 18 + 19th of october JTNP. Editorial Venice Beach Friday 21st of october.
Shoot me an PM!
Hi all
Maybe a little bit off topic; but does anyone have any suggestion on a dutch roll head. I need to turn the picture 90 degrees, with the lens in the center. I would prefer any manual rig.
When I reingest the clips from Offline for export to Color - should I Log and Transfer the clips with setting "Native"?
Described as Workflow 2: (Work Offline Using Apple ProRes; Reconform to Native RED QuickTime Media in Final Cut Pro) - in the Whitepaper. Can't find anything about this...
...with this first light curve; However I must ask you! I'm putting this curve on (like) 90% of all my shots. Get some punch in the Shadows, maybe lighter in Darker skin tones, take down the Lights. Push up the Kelvin a little bit, and you are done!
Your opinion please!
...is now open!
The R1 started the revolution. The Epic will concur the world. However - when the new shit comes, we will surely need some help from each other with the details they forget in California. Help them to get back on track ;-). Please tell everyone you know who will upgrade to Epic...
When shooting last week in New York we had a great RED experience again, though we encountered a nasty problem. Without any warning the camera just blacked out, and rebooted. At first I thought it was my Origo / Lemo (had used it a lot, never had a problem before B17). But even without the...
We are shooting Friday and Saturday and need to rent some additional lenses - where is the best place to find them? (tele 135 -180, we are based in meetpacking and we have a US company address).
Thanks for any help!
I may need to buy a cheap FF, to use until my viewfactor FF arrives.
I've been looking at the microFollowFocus v2 - has anyone any experience of this FF yet?
Hi!
Going online soon with new material. Do you guys have any thought or suggestions; which is the best (current) flash compressor. I usally use ON2 Flix Pro or Adobes Flash CS3 Encoder. Trying to get the best result with 800x450 px about 45 sec to one minute length.
What is your choice?
To be red today at the Swedish Society of Cinematographers website. An article on the 13 november statement about Epic & Scarlet ends like this:
(in translation)
"It feels like the RED ONE is outdated already next year, and it seems as it is the RED ONE owners who had paid for the development...
Problem; my new Oktava MK012 with 48 phantom powering is not working! I don't recieve any signal (only electric hum). I have used the Red mini XLR to XLR cable assembly. I have tested the microphones at my local music/studio store - and mics are working fine plugged in their phantom powered...