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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Sharif El Neklawy

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    [WANT TO RENT] NEED IMMEDIATELY - Ultra Primes rental NYC

    Hey guys, In need of two ultra primes for a shoot this Sat & Sun. I have a friend with a Zeiss LWZ who I was going to rent from, but last minute decided that he wanted to use it instead :angry: Anyway, I've already rented a 65mm separately, so i'm interested in two wider lenses to complete my...
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    [WANT TO RENT] Zeiss CZ.2 28-80mm July 16-22 in NYC or Montreal

    Hey everyone, I'm looking to rent a Zeiss 28-80 for July 16-22 in NYC or Montreal for a NYC production-based short film shooting 45mins outside of Montreal. Let me know!
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    [(RED) WTB] Red One 19mm Grip Handle

    I've had the Righty forever, just want a Lefty to go with it. Who's got one for a filmmaker who's trying to get the most out of a little? :)
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    Suggestions - Color Correction using R3D Stills

    Hey guys, hoping to get some suggestions from you on this. Currently in post on a web-series I shot. In an effort to be efficient, I took R3d stills from the timeline for the Pilot episode, so I could do some loose grading on my own. I've just been playing around in Redcine-X. If I was to...
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    Am I allowed to put it in my reel?

    Hey all, Hope I can get some good insight here. I'm currently cutting together my reel and would like to add 3-4 shots from an independently produced web series I worked on. They are hoping to sell the show as a completed product of 6, 22min episodes. They've always been concerned about any...
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    LCD mount - please help me identify this item

    Hey guys, I was just perusing Red's website when I came across the attached image. The image is larger at the bottom of this page http://www.red.com/education Can anyone identify how the LCD is mounted? Looks like a Red Gunner, plus handles and then something else coming off the left-side...
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    [WANT TO RENT] Zeiss ZE or ZF (w/ EOS adapter) set for the week (NYC)

    Hey guys, Got two low-budget shoots back to back, starting Wednesday through Sunday. Seeing if anyone out there has 'em for rent. Want them on a Canon EOS mount. Thanks
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    [FS: RED Gear] Red Station Redmag 1.8" (mini) eSATA trade for USB 3.0

    Just curious if there's another soul out there who has the opposite needs as me. I've got a Red Station Redmag 1.8" (mini) w/ eSATA (used on 4 music video jobs) and would like to trade for a Red Station Redmag 1.8" (mini) w/ USB 3.0 instead. Will consider selling it as well if no trades come up :)
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    Mac Mini for dailies and post

    Hey guys, I'm about to shoot a webseries for a sketch comedy group that independently raised money to shoot 6 episodes starting next week. With their tight budget, they thought a mac mini would be a cost effective solution for dailies and post (meaning no Red Rocket Card). At the very least...
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    FCP 7 prores proxies w/ effects--looking for best workflow to finish for online

    Hey guys, I'm working with a director who started his commercial edit in FCP 7 which is his preferred NLE and he is using some effects, both standard and plug-ins. The DP has given us LUTs to be used with DaVinci Resolve for the final grade which will be done at a. I want to figure out the best...
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    WTB: Red/3rd Party Accessories--lcd cable, top handle riser, 19mm handle (lefty), etc

    A couple things on my list to complete my Scarlet-X package at this stage, wondering if anyone is up for selling any of the following: lcd cable top handle riser 19mm handle (lefty) Wooden Camera A-box 3bnc-to-00 sync cable 7" or longer Israeli arms 19mm 18" stainless steel rods
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    New To Red Workflow: All my edits aren't making it into Redcine-X through XML or EDL

    Hey guys, So I'm in the middle of editing my first project with footage from a recently bought Scarlet--exciting times. My FCP 7 workflow w/ the intent to end up with an H.264 for vimeo at the end: Exported ProRes 422 (HQ) out of Redcine-x Pro for offline edit in RedLogFilm (which was a...
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