Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I shot a project this past weekend and the director and I are trying to figure out how to transcode the Anamorphic footage using the FCP L&T plugin as the workflow is just easier for the editor/colorist...
I can't for the life of me figure it out. Is this possible?
I just got into an argument with a professor at Uni about the usage of a light meter by DPs and gaffers on set. He seems to think that they are no longer necessary, I however, always light with my meter. Keep in mind that we are a Digital Cinema school.
How many DP's on this place still use...
So I have been on a Light Peak fact finding mission recently and it seems that this is the tech to invest in especially for something like Red Ray.
I was just curious if RED was planning on integrating Light Peak in its first release of the product or if it was going to wait until v2?
If you...
Hey,
I'm looking to put out some feelers for where or whom I can rent an anamorphic lens (just a 35mm) for a day or two somewhere in the Midwest.
I won't need the rental until the Spring, but I'm just putting out feelers so that I can work it into the budget and work out logistics and stuff...
I exported my FCP XML and was able to successfully reconnect all of my QT with the original .r3d's minus about 5 or 6 clips.
These clips were imported and transcoded using RCX on the day of the shoot with a temp DIT and all of the original .r3d's were in their own folders with the name of the...
For those of you in the MIDwest (or anywhere really) who have not had the awesome pleasure of working with Andrew Benz (owner of #557), you are missing out.
Benzo helped me out on a project I am co-DPing with Matthew Rivera (stills posted below) where we needed to do some slow motion stuff (a...
Hey everyone.
I've been working on this project for my HD Cinematography class for the last 8 weeks or so...thought that I would show it off here as I am very proud of it.
Just wait until I get my Scarlet...this is just to demonstrate my potential! :beer::sifone:
Let me know how you like...
Can anyone explain what the different mounts mean for Scarlet/Epic options? Like what each brain comes with and what brand of lenses can be used for that brain/specific mounts?
I'm a noob with 35mm lenses/mounts and it would help a lot, I think for everyone if it was all just laid out in a...