Recent content by John Moore

On a multicam Red Epic shoot we have what looks sort of like 60Hz hum in multiple cameras. When we look at it in Rec Cine X, Resolve and Avid there is a hum like line horizontal that runs top to bottom at about the pace of a 60Hz hum. It's a relatively thin line that brightens the picture...

Working in Avid and Resolve on an multicam Epic shoot. The down converts for offline were made in real time with Pix-240 recorders on the cameras. I assume they were fed the HDSDI feed from the Red Epic but I'm not sure. I also don't know how the timecode was sent to the Pix unit. We are...