Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I am having some trouble in After Effects with footage shot on the Red, and I wanted to see if any of you had experienced something like this before.
As I mentioned, the film was shot on the Red, edited in Final Cut 7 in Pro Res 422 LT, and exported into After Effects in 4444. The Quicktime...
I'm in the process of editing a short that we shot on the Red at 4.5K late last year. After ingesting all of the Redcode footage and backing it up, I transcoded everything into ProRes LT using FCP's Log and Transfer.
Everything seems to have gone smoothly, and the clips play fine in the viewer...