Recent content by ChrisLyon

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I am in search of a RED Modular Assault Plate 15mm. Do you have what I need?

Alright, folks. I'm Chris Lyon - Reduser for a while now. I work in artist acquisition for a small, but unique film festival in Shreveport, Louisiana. A few years back, I posted about the Louisiana Film Prize and convinced some people to come down to participate. Now we are in year five, still...

First generation Nikon Mount made by RED Digital Cinema. Replaces standard RED ONE PL MOUNT to allow mounting of Nikon lenses on a RED ONE. Accommodates Nikon F-mount lenses. Used but in complete working condition. Includes mounting screws. $300 OBO. SOLD!

This reel/promo is about the journey 86 filmmaking teams made to northwest Louisiana to make a short film for the chance to win $50,000 cash. Twenty were chosen. One prevailed. Nine of the 20 were shot on RED, all nine of those on DSMC. I think one film used an R1 for B-cam. RedUser Christopher...

I've seen a few related threads with no real answers. Has anyone here had success with the SmallHD HDMI Splitter running from DSMC, particularly Scarlet? The splitter works splendidly for other cameras and I'm wondering if there is a signal difference in the HDMI put out by DSMC that prevents...

I just need to vent for a second. Why is it that people feel the need to take things that aren't theirs? This weekend I lost a Canon 7D, rails, follow focus, monitor and support gear due to a car break-in. All reported to the police and insurance. I'll get it all back through the insurance...

I've reached out to some who are offering REDmotes as a part of a package or are offering piecemeal, but no one has responded yet. I need a REDmote this week, so if you have one to sell, please let me know and I'll make an offer. chrisplyon@gmail.com

Hey guys.... So after helping birth this idea, I got sucked into being on the board of this new film contest called the Louisiana Film Prize. Being on the staff means I can't compete... so I'm wanting to bring it to your attention. The Louisiana Film Prize is a short film contest where one...

http://vimeo.com/18760239 I wonder how well this stacks up. Seems pretty cool.

Did I miss something? I remember there being a method to set the decoded resolution to half, quarter, eighth, etc- my memory being from the first version of RED support for Adobe Premiere. Now I'm back several months later and get this: What am I missing? Are these lower resolution decode...

In the coming months, RedRelay will begin to unfurl its latest iteration complete with a fully customized CMS built specifically for the handling of RED content. This next-generation-ready version was built by the wondrous talents of Adam Heath of vivacreative across the pond and, as always...

...a generic production workflow guide created by a collaborative effort of a few experienced RED DITs. Everything from suggested tools, hardware, and methods of handling footage to best serve certain scenarios such as effects-heavy projects or multi-camera shoots. If I had the experience, I'd...

This really is my first post in a while. I'm not going to lie when I say I know little about production timecode keeping- who holds the keys and how it all works. Would someone mind taking the time to explain timecode to me? Here are the questions I have: 1. Where is timecode generated on set...

I'm looking for a web coder who would be interested in helping RedRelay reach the next level- user interaction. This person would need to be able to code a database and build a system that would allow users to login and manage all their clips including the information associated with them...