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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Chris Campbell

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    Can Premiere handle this?

    About to tackle my first premiere job (CS6) after many years on Avid and FCP. The project is going to end up as 4 HD screens side by side, all showing different content in sync. It will be about 8 minutes long. Most of the footage will be 5k Epic at 29.97. Some shots will span 1 screen, some 2...
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    Kona 3 and 2k at 29.97

    I received 2k RED footage shot at 120 fps recorded in camera at 29.97. I was going to convert everything to prores HQ in log and capture and then output to HDCAM at 1080i, 59.94. I can't seem to find any Kona settings that allow for the 2k cropping to 1080 at 29.97. Is there any way to get this...
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    Outputting to HDCAM through Kona 3

    I need to output a 2k- 23.98 prores sequence of RED footage to 29.97 HDCAM through the Kona 3. Will the kona 3 do the 2k to HD crop as well as a 23.98 to 29.97 conversion in one step? Or do I need to output to a 23.98 HDCAM master, then recapture and add the pulldown in a second pass? I am...
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    working with 120 fps footage

    I will be doing a job that requires inputting 120 fps footage at 2k, color correcting, and outputting to HDCAM through a Kona 3. I can't seem to find any info on using footage shot at 120fps in FCP. Could anyone provide me any tips or point me in the right direction? Thanks
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