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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Alex Olinger

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    RCX - Export 96khz?

    Hey guys, I was wondering. Is it possible for RedCineX Pro to export a Quicktime proxy with dual system synced audio recorded at 96khz/16bit? Current production I am on, sound mixer wants to record at 96khz, and I would like to keep all the syncing duties inside of RCX. Thanks
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    Relink to poly BWAV - Quicktime Proxies

    Hi, I`m currently gearing up for an assistant editor job on a RED shoot. One of my duties will be syncing 8 track poly BWAV`s to the R3D`s, and then exporting QT proxies with a mono mixdown on track 1/2. The production mixer is going to provide a mono mixdown on track 1/2 for the picture...
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    RCX - Audio Sync question

    Hi, I`ve been learning the timecode dual system auto match feature in RCX-P. I recorded my RED footage at 23.98 and my audio on Sound Devices 702T at 48.000 hz with a 23.98 timebase. After running automatch, in the control section of the audio tab, it shows 48khz as the frequency, but it shows...
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    RCX-P Audio syncing - 48khz question

    Hi,I`ve been learning the timecode dual system auto match feature in RCX-P. I recorded my RED footage at 23.98 and my audio at 48.000 hz with a 23.98 timebase. After running automatch, in the control section of the audio tab, it shows 48khz as the frequency, but it shows 48.048 as the TC...
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    RedCineXPro - Importing synced dual system sound with R3D to Premiere?

    Hello, I`m currently learning Premiere CS5.5, and I am working with some sample R3D clips, along with accompanying dual system audio. I`ve been syncing the audio to the R3D`s through RCX-P with timecode. Is there a way for the newly synced dual system audio to carry over into Premiere, when I...
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    Recommended methods for handling fan noise?

    Hello, I recently finished a short film shot on Epic, and I am currently looking to shoot more projects going forward on RED, though my main concern going forward is the fan noise levels of the Epic. On the post production end of things, what software/tools do you all prefer to use for...
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    Dual System - Final Cut workdlow help

    Hi, I`m currently doing some tests for an upcoming RED project I`m working in post on. I have using been some test r3d`s with accompanying dual system audio, and I am running into an issue when it come time to sync the audio .WAV`s with my QT proxy files. Usually, when I`ve been assistant...
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    RedCineX Pro - ProRes Gamma/Color Shift on Export

    Hello, Over the last few days I`ve working on the final color grade for a short film shot on Epic, and I`ve been running into the infamous "Quicktime gamma shift" bug when I export my timed ProRes 422HQ files out of RCX. Even when working off of a friend`s broadcast monitor I`m still seeing...
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    RedStation RedMag 1.8" + (2) FireWire 800 Drives

    Hi, I was wondering if it is possible to daisy chain 2 bus powered external hard drives to the RedStation if all three devices over firewire would be properly powered through a current generation MacbookPro. I`m asking this as my MPB only has one firewire 800 port and I`m trying to avoid...
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    Redcine X - 2:40 center cut extraction

    Hi, I am an editor for a short film shooting on Epic. DP is looking to do a 2:40 center cut extraction (4122x1718) from 5k 2:1 for the shoot as the director wants to have a bit of room to do any slight reframing if need be. I`m wondering when I bring those R3D`s into Red Cine X Pro, will the...
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    RedCine X Pro - Title Workflow

    Hello, I`m currently gearing up for a short film shot on RED and I`ll be handling the post workflow, and I was wondering what was the best worfklow would be for retaining titles when working with RED footage. Currently, I am planning to make ProRes LT proxies from the raw R3D`s, edit with...
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