nima
Well-known member
Hi all,
what we usually need is to deliver 1080p files out of 4K 2:1 Red footage.
(why 2:1?) Because at the same time we would really really like to obtain a full res (4k 2:1) DPX Master of each short film just for archival purpose.. you never know. This way, if we'll ever need to go to film (or future 4k tape storage), we will have the final editing ready at full size.
So we create proxies of original R3D file with Red Rushes and export XML at the end of the editing.
The conforming process is quite blurry though..
If we conform the XLM with the original 4K 2:1 files how can we grade the final cut?
We would like to be able to apply a color correction using a 2K or 1080 visualization of the 4K file, and deliver at the end a 4k DPX file for future storage.
This is our poor man setup:
Mac Quadcore 2.93Ghz / 12 Gb ram / ATI 4870 / Dulce 4 drives in Raid 5
Monitoring options: HP Dreamcolor monitor / JVC color grading HD monitor
Things are very confusing when we think about the delivering format.
It is true that there we do not have a 5 millions dollars 4k projector, or $700 per minute for a good film transfer.. but this does not mean that it would be quite important to have a full res file of each project stored somewhere.
Any thought about this?
Thanks!:emote_headwall:
what we usually need is to deliver 1080p files out of 4K 2:1 Red footage.
(why 2:1?) Because at the same time we would really really like to obtain a full res (4k 2:1) DPX Master of each short film just for archival purpose.. you never know. This way, if we'll ever need to go to film (or future 4k tape storage), we will have the final editing ready at full size.
So we create proxies of original R3D file with Red Rushes and export XML at the end of the editing.
The conforming process is quite blurry though..
If we conform the XLM with the original 4K 2:1 files how can we grade the final cut?
We would like to be able to apply a color correction using a 2K or 1080 visualization of the 4K file, and deliver at the end a 4k DPX file for future storage.
This is our poor man setup:
Mac Quadcore 2.93Ghz / 12 Gb ram / ATI 4870 / Dulce 4 drives in Raid 5
Monitoring options: HP Dreamcolor monitor / JVC color grading HD monitor
Things are very confusing when we think about the delivering format.
It is true that there we do not have a 5 millions dollars 4k projector, or $700 per minute for a good film transfer.. but this does not mean that it would be quite important to have a full res file of each project stored somewhere.
Any thought about this?
Thanks!:emote_headwall:
Last edited: