- Banned
- #1
How are those of you who already handling your cameras in the field finding the onboard audio, specifically for EFP work? All of the audio testing to date has been done in studios...can some of you using the camera outdoors and in the field and in fast-moving environments sound off about your recording tactics and strategies? Likes? Dislikes? Enhancements that you would like to see as RED builds out better audio support?