1929 Chinese Revolution: Chair Mao & Red One

[Jimmy Shen]

Gu Tian 1929, Chinese Revolution feature film. Shot on Red One. Not color corrected yet.

红堂映画的片子？:smile:

 

[Yang Liu]

Beautiful work. I love it. What kind of lens did you use?

Zeiss T1.3 set

 

[Yang Liu]

红堂映画的片子？:smile:

如果你说制作，那当然不是了。机器是我们的，前期因为出点技术问题，跟了几天。后期都是在我们这做的。

您来过我们这？

 

[Charles Angus]

Great production design!

 

[Jimmy Shen]

如果你说制作，那当然不是了。机器是我们的，前期因为出点技术问题，跟了几天。后期都是在我们这做的。

您来过我们这？

没，只是看到强氧的帖子了:ciappa:

 

[Yang Liu]

没，只是看到强氧的帖子了:ciappa:

那欢迎随时来坐坐。你在北京？

 

[Yang Liu]

Great production design!

Thanks.

 

[Chuck Z]

Those shots look absolutely gorgeous! I can't believe they haven't been graded already.

I'm already digging the look. Perhaps you won't go overboard with grading, but rather give the film a slight color touch up.

Great work!

 

[Piers McGrail]

Beautiful shots. As others have pointed out, the shot of the solider in particular really has that technicolor feel. The reds of the flags are so rich.

I do think that colour reproduction is one of the strongest aspects of the Red. Do you know if it was shot in RedSpace, or something else?

The production design is also great - I think that plays a big role too. I don't know if you'll need to add any additional color effects - it looks perfectly old school to me!

Oh, and interesting to note how underexposed some of those original shots. You've really captured as much information as possible, and as Julian showed, it can be lifted back up perfectly. I am looking forward to shooting with the increased dynamic range of the epic, but shots like this remind us of how beautiful the RedOne can be.

Piers

 

[Filip Orlandic]

Zeiss T1.3 set

Zeiss Super speeds or Master primes ?

 

[Matthew Bennett]

Yeah I love the saturated/compressed tonality of the third grab - must be so exciting doing work like this - congratulations on the film

 

[Yang Liu]

Beautiful shots. As others have pointed out, the shot of the solider in particular really has that technicolor feel. The reds of the flags are so rich.

I do think that colour reproduction is one of the strongest aspects of the Red. Do you know if it was shot in RedSpace, or something else?

The production design is also great - I think that plays a big role too. I don't know if you'll need to add any additional color effects - it looks perfectly old school to me!

Oh, and interesting to note how underexposed some of those original shots. You've really captured as much information as possible, and as Julian showed, it can be lifted back up perfectly. I am looking forward to shooting with the increased dynamic range of the epic, but shots like this remind us of how beautiful the RedOne can be.

Piers

Hey Piers

it was shot on Red Space all the time. Everybody is waiting for Epic-x.lol.

Thank you

 

[Álex Montoya]

Yeah, I couldn't help playing with the frames as well. Hope you don't mind:

 

[Yang Liu]

Zeiss Super speeds or Master primes ?

A super old set of Zeiss Super speed. ha...

 

[Yang Liu]

Yeah, I couldn't help playing with the frames as well. Hope you don't mind:

have fun

 

[Emiliano Ranzani]

Wonderful stuff! The Chinese film industry is as great as ever.

 

[Andrew Wilding]

My own humble attempts at CC - these are done with 1.8 gamma in mind - they likely look quite crushed at 2.2.

 

[Andrew Wilding]

Another effort!

 

[Yang Liu]

Wonderful stuff! The Chinese film industry is as great as ever.

Thanks. Welcome to make film in China someday.

 

[Yang Liu]

Another effort!

nice