Christian Simpson
Well-known member
I shot my first music video on RED two weeks ago and am looking for help with workflow issues Im having with FCS3. Heres what I did.
Used L&T window to ingest footage with preferences set to ProRes Proxy so that I could work with the footage quickly.
I noticed that ProRes Proxy imports 4k footage at 1080p and all my slow mo stuff comes in at 2k. (I shot 16x9 and not 2:1 by the way)
1. Does it matter that my 4k footage imported at 1080P (1920x1080)? And why would the 2k clips come in at their original resolution?
So my edit is locked in and ready for grading. Following the FCS3 whitepapers I created a RED sequence as instructed and followed the re-conforming steps to create an offline sequence with .r3d files. This all worked fine except that the files reconformed at 1080P (again except for the 2k slow mo stuff)
2. When I reconform, should the clips come back in at their original resolution?
My goal is to grade the 4k and 2k clips to create a master at the highest quality possibe. The deliverable will be HDCAM SR and web (and possibly Blu-Ray)
Now that its time to move to Color I really get lost.
3. What should my "render proxy" and "grading proxy" resolutions be set to? (in the user pref tab in the setup tab.
4. What should my "resolution preset" be set to in the project settings in the setup tab?
I have it setup to render to prores 4444 when I'm done with my color corrections.
I'm afraid that I am scaling up clips that are 1080P (thats how the clips are listed in the browser window of FCP) to work with in color and I dont want to do that.
5. Is there a way to change to resolution of clips brought in and encoded in the L&T window?
Thanks for your help! (No one in charlotte, NC knows how to work with this stuff!)
Used L&T window to ingest footage with preferences set to ProRes Proxy so that I could work with the footage quickly.
I noticed that ProRes Proxy imports 4k footage at 1080p and all my slow mo stuff comes in at 2k. (I shot 16x9 and not 2:1 by the way)
1. Does it matter that my 4k footage imported at 1080P (1920x1080)? And why would the 2k clips come in at their original resolution?
So my edit is locked in and ready for grading. Following the FCS3 whitepapers I created a RED sequence as instructed and followed the re-conforming steps to create an offline sequence with .r3d files. This all worked fine except that the files reconformed at 1080P (again except for the 2k slow mo stuff)
2. When I reconform, should the clips come back in at their original resolution?
My goal is to grade the 4k and 2k clips to create a master at the highest quality possibe. The deliverable will be HDCAM SR and web (and possibly Blu-Ray)
Now that its time to move to Color I really get lost.
3. What should my "render proxy" and "grading proxy" resolutions be set to? (in the user pref tab in the setup tab.
4. What should my "resolution preset" be set to in the project settings in the setup tab?
I have it setup to render to prores 4444 when I'm done with my color corrections.
I'm afraid that I am scaling up clips that are 1080P (thats how the clips are listed in the browser window of FCP) to work with in color and I dont want to do that.
5. Is there a way to change to resolution of clips brought in and encoded in the L&T window?
Thanks for your help! (No one in charlotte, NC knows how to work with this stuff!)
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