Sarah Silverman Program Season Three

[Dane Brehm]

Yeah were shooting Red and I would like to personally thank Ted for talking to our Executive Producers about the ins and outs of Red. What he did fail to talk about was the data-centric part of the Camera. Surely the fastest way to confuse a producer new to the system.

Were in week 3 of the Sarah Silverman Program. Clairmont Camera is providing our Two Red Camera Packages with Optimo Zooms as well as our Monitoring.

Digital Film Tree is handling our Transcoding, Dailies, LTO, and Color Correction for the show using FCP Color for the final Grade.

DP Rhet Bear and I put together a very smooth and rock solid on-set workflow using RedAlert and Clipfinder.

I will admit I am curious what other shows are doing for their data backups and LUT integration?

Can't wait for the RED Rocket™™.....

--

 

[Brandon Fraley]

cool that's a great show

 

[Ravi Kiran]

What was the show previously shot on?

I'd love to see more HD content on Comedy Central. Maybe they'll shoot more single camera stuff on the Red.

 

[Brandon Fraley]

I remember reading they used a pro35 adapter previously. Was it shot on SDX900?

 

[Zakaree Sandberg]

tell Rhet and Hiro zakaree says hi

 

[dino g]

Ted did not fail

Ted did not fail

Ted did NOT fail to talk with them about the data-centric nature of the camera. They were well aware early on.