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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

RED Rocket

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Oh god. I want it five minutes ago. This is a fantastic development. As always, great work Jim!
 
Any 4k Displays and Projectors to go with this eco system :)

Combine Epic/Scarlet/RedOne, Redrocket , an Octo Mac , Final Cut , After Effects, Red Ray and 4k Displays and you have a very powerful mobile movie production/post production factory.

4k dailys with RED RAY are going to be awesome
 
I am guessing that with this card Apps like Premiere will only need mid level systems to edit realtime in 4k instead of the 16cores needed at the moment to debayer 2k in realtime.....hmmm...very cool....


the big question is : can you put it in a form factor that allows for a laptop pci-e slot to work? If so we are talking about MOBILE 4k workflow!!

BTW NAB is cool, I am working with Adobe...anyone around come to our 2pm and see the new tools from Adobe! or the 10am at the HP booth and checkout whats going on with the Z workstation..it's HOT for RED
 
YES. It will.
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Cool. I would say this saves me from getting a new DP Nehelam box, but since I am out of PCIe slots, I need the new box with all PCIe anyway. :)

So then the pipeline is not simply HDD->Card->DVI/HD-SDI, its also HDD(R3D)->Card->HDD(uncompressed). Fast storage! :)
 
Yeah, I love how the guys at RED can release a 5 line statement about a piece of gear that is yet to exist and everyone starts to say how it 's great, an end gamer or the greatest thing since sliced bread. Do you know what I think is and end gamer, a single proven workflow from camera to distribution that works for the number 1 and number 2 professional editing applications (AVID and FCP, in that order) used by the industry that RED is trying to market to. Give me that, and not a bunch of hype, and I'll start to agree on how great RED is. Yes, the images are great, but film is easy, so until the same can be said of the RED workflow, well.........
 
Rex Teese said:
Yeah, I love how the guys at RED can release a 5 line statement about a piece of gear that is yet to exist and everyone starts to say how it 's great, an end gamer or the greatest thing since sliced bread. Do you know what I think is and end gamer, a single proven workflow from camera to distribution that works for the number 1 and number 2 professional editing applications (AVID and FCP, in that order) used by the industry that RED is trying to market to. Give me that, and not a bunch of hype, and I'll start to agree on how great RED is. Yes, the images are great, but film is easy, so until the same can be said of the RED workflow, well.........
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red one started with 3 lines...hehe

film or red doesnt matter for an avid workflow...
transcode or process is the same amount of time.

and WHY BLAME RED WHEN AVID IS NOT IMPLEMENTING NATIVE R3D HANDLING INTO MC.

the greedy boys will implement r3d into DS.:whack:

btw. inmho avid is going the wrong way.
i see the most possibilities...with adobe for the future.
 
Rex Teese said:
Yeah, I love how the guys at RED can release a 5 line statement about a piece of gear that is yet to exist and everyone starts to say how it 's great, an end gamer or the greatest thing since sliced bread. Do you know what I think is and end gamer, a single proven workflow from camera to distribution that works for the number 1 and number 2 professional editing applications (AVID and FCP, in that order) used by the industry that RED is trying to market to. Give me that, and not a bunch of hype, and I'll start to agree on how great RED is. Yes, the images are great, but film is easy, so until the same can be said of the RED workflow, well.........
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Troll! Film is easy? :)
 
Rex Teese said:
Yeah, I love how the guys at RED can release a 5 line statement about a piece of gear that is yet to exist and everyone starts to say how it 's great, an end gamer or the greatest thing since sliced bread. Do you know what I think is and end gamer, a single proven workflow from camera to distribution that works for the number 1 and number 2 professional editing applications (AVID and FCP, in that order) used by the industry that RED is trying to market to. Give me that, and not a bunch of hype, and I'll start to agree on how great RED is. Yes, the images are great, but film is easy, so until the same can be said of the RED workflow, well.........
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film is also too expensive for most. an "in development" workflow is an acceptable trade for most as well...RED will get it there.
 
I can understand what an enormous boon this is for RED ONE and Epic customers, but I do have a question.

Does this mean that in order to edit video from the $4,000 3K Scarlet in real time, you will need a $3,300 Mac Pro (instead of my existing MacBook Pro) and a $5,000 box, or can less expensive solutions suffice for that market?

As a likely Scarlet purchaser I'm understandably concerned that the workflow solution will cost more than the camera!

Thoughts?

D
 
David Dennis said:
I can understand what an enormous boon this is for RED ONE and Epic customers, but I do have a question.

Does this mean that in order to edit video from the $4,000 3K Scarlet in real time, you will need a $3,300 Mac Pro (instead of my existing MacBook Pro) and a $5,000 box, or can less expensive solutions suffice for that market?

As a likely Scarlet purchaser I'm understandably concerned that the workflow solution will cost more than the camera!

Thoughts?

D
Click to expand...

You can edit just fine with the MacBook you have. You don't need 4K high to edit, do you?
 
David Dennis said:
I can understand what an enormous boon this is for RED ONE and Epic customers, but I do have a question.

Does this mean that in order to edit video from the $4,000 3K Scarlet in real time, you will need a $3,300 Mac Pro (instead of my existing MacBook Pro) and a $5,000 box, or can less expensive solutions suffice for that market?

As a likely Scarlet purchaser I'm understandably concerned that the workflow solution will cost more than the camera!

Thoughts?

D
Click to expand...

the 1st 6 months you needed 50 000 usd scratch to work with a red one effectivly...until crimson arrived :)

now the game changed...with all the plug ins.
 
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