Derek Van Gorder
Active member
Back with another Super 8 question. So I know that in order to shoot sync sound with Super 8, you'll need a camera with crystal sync in order to guarantee a constant 24 fps. But while looking into that, I've been told that the developed film then also needs to be transferred specially in order to maintain that frame rate into a digital post workflow, and this process is somewhat pricey.
I am wondering: if I shoot crystal sync but transfer normally, is the sync drift less than if I shot on a camera without sync? Would it be worth renting a crystal sync camera if I then transfer normally, or is that pointless? And does anyone have any experience with how bad the drift is and how long it takes before it is noticeable? If I shot dialogue in 30 second takes or less, will it be possible to match up the audio in post?
Thanks!
I am wondering: if I shoot crystal sync but transfer normally, is the sync drift less than if I shot on a camera without sync? Would it be worth renting a crystal sync camera if I then transfer normally, or is that pointless? And does anyone have any experience with how bad the drift is and how long it takes before it is noticeable? If I shot dialogue in 30 second takes or less, will it be possible to match up the audio in post?
Thanks!