Gabriel C.
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Hi Guys,
Sorry if this has been covered. I looked around and didn't see anything.
I shot a feature a few months ago, and we're in the final stages of post ... we shot and edited at 24FPS (not 23.98) and recorded sound at 48K. All the syncing worked for the initial edit in FCP, but once we exported an OMF for ProTools, mixed, and brought it back into FCP for our final compile, it had horrendus slipping problems (noticeable after a minute or so).
It's strange because when the audio guy sends me files at 48K AND 48.048K, they have different lengths in ProTools, but the exact same files have the exact same lengths in FCP - almost as if FCP is stretching and contracting them.
Does anyone know about this - and if so - is there a work around?
Thanks so much!!!
Sorry if this has been covered. I looked around and didn't see anything.
I shot a feature a few months ago, and we're in the final stages of post ... we shot and edited at 24FPS (not 23.98) and recorded sound at 48K. All the syncing worked for the initial edit in FCP, but once we exported an OMF for ProTools, mixed, and brought it back into FCP for our final compile, it had horrendus slipping problems (noticeable after a minute or so).
It's strange because when the audio guy sends me files at 48K AND 48.048K, they have different lengths in ProTools, but the exact same files have the exact same lengths in FCP - almost as if FCP is stretching and contracting them.
Does anyone know about this - and if so - is there a work around?
Thanks so much!!!