Clark Dunbar
Mammoth HD
- Joined
- Mar 18, 2007
- Messages
- 1,299
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- Location
- Montana/USA
- Website
- www.mammothhd.com
Mammoth HD Footage Library - 2009 RED® Reel - (Posted 3.4.09)
http://www.mammothhd.com/MHD_RED8.html
This is MammothHD's RED Reel#4, and we're already planning #5
File Size 720x360 - 270mb - h.264 - 6.5 minutes (embedded in webpage)
Shooters: Andrew Cheng, Art Levy, David Butler, Eli Jara, Jay A Kelley, Jesse Rosten, Jochen Schmidt-Hambrock, Johnny Friday, Kennan Ward, Olafir Rognvaldsson, Paul Engstrom, Meryem Ersoz, Thor Wixom, Steve Gibby, Watering Life, Wes Greene, Wilderness Video.
Edited by Jerry Hofmann
Music: Filmtv-Tracks.com
Edited in FCP
Clips - most are shot 4K (2:1 and 16x9), frame rates ran the gamut from 23.98, 24, 25, and 29.97 - plus the over/undercrank clips. There is 3K and 2K originated footage too.
Workflow - raw r3d 1st light in REDCine - out as ProRezHQ
FCP/edit
Color Correction either 3WayCC or COLOR
a few clips went the RC -> out as dpx then imported as sequences directly to COLOR then out as ProRezHQ to FCP
The aerials where shot 4K(16x9)/29.97 -> "knee mounted" and stabilized in Shake and output as HD 1920x1080
Build as a 1920x960 "HD" reel
Venues for reel -> NAB2009, MHD/Production Partners, other venues and websites.....
http://www.mammothhd.com/MHD_RED8.html
This is MammothHD's RED Reel#4, and we're already planning #5
File Size 720x360 - 270mb - h.264 - 6.5 minutes (embedded in webpage)
Shooters: Andrew Cheng, Art Levy, David Butler, Eli Jara, Jay A Kelley, Jesse Rosten, Jochen Schmidt-Hambrock, Johnny Friday, Kennan Ward, Olafir Rognvaldsson, Paul Engstrom, Meryem Ersoz, Thor Wixom, Steve Gibby, Watering Life, Wes Greene, Wilderness Video.
Edited by Jerry Hofmann
Music: Filmtv-Tracks.com
Edited in FCP
Clips - most are shot 4K (2:1 and 16x9), frame rates ran the gamut from 23.98, 24, 25, and 29.97 - plus the over/undercrank clips. There is 3K and 2K originated footage too.
Workflow - raw r3d 1st light in REDCine - out as ProRezHQ
FCP/edit
Color Correction either 3WayCC or COLOR
a few clips went the RC -> out as dpx then imported as sequences directly to COLOR then out as ProRezHQ to FCP
The aerials where shot 4K(16x9)/29.97 -> "knee mounted" and stabilized in Shake and output as HD 1920x1080
Build as a 1920x960 "HD" reel
Venues for reel -> NAB2009, MHD/Production Partners, other venues and websites.....