Marcus Vasques Osorio
Well-known member
Hi all,
I am in the middle of doing a project shot on both panasonic P2 and RED. we are editing in AVID and have mixed the media. We are editing in DVpal resolution. Is there any way that you can just export the P2 material exclusively from the locked final cut for reimporting at a higher resolution later?
I also noticed that the P2 material AX as a clip name on the EDL whereas RED has the usual 8 or 16 character name any clever ideas?
Please no comments about checking work-flows before shooting, as I was not involved in the earlier stages of the production and am better at the RED side of things than the P2... as usual RED workflow falls into place as it has done in the last few feature films I have been involved in
mahvo
I am in the middle of doing a project shot on both panasonic P2 and RED. we are editing in AVID and have mixed the media. We are editing in DVpal resolution. Is there any way that you can just export the P2 material exclusively from the locked final cut for reimporting at a higher resolution later?
I also noticed that the P2 material AX as a clip name on the EDL whereas RED has the usual 8 or 16 character name any clever ideas?
Please no comments about checking work-flows before shooting, as I was not involved in the earlier stages of the production and am better at the RED side of things than the P2... as usual RED workflow falls into place as it has done in the last few feature films I have been involved in
mahvo