Mitch Deoudes
Well-known member
A couple of questions regarding the swapping of mounts... I've seen the various videos of "warranty-good" swaps (e.g. the dumb nikon mount), and it looks fairly simple. However, I still sort of wonder if this is the sort of thing you really want to be doing on a regular basis. Concerns:
1) mechanical - are those tiny little screws and other little bits really designed to be dis/reassembled 20/50/100 times without wearing out? The guys at ET claim that even the mini-BNC's are only rated for 500 mating cycles [ LINK ]. I can only imagine that something as precise as a lens mount would be more delicate.
2) calibration - I assume the mount needs to be re-backfocused with every mount swap. Threads like this [ LINK ] make that procedure sound non-trivial to get 100% right... And definitely something that requires a properly collimated PL mount lens - which sort of defeats the purpose of swapping in a nikon mount in the first place. (I.e., if you could afford to own PL glass, you wouldn't necessarily need a nikon mount.)
To be clear - I'm not talking about swapping once every couple of months, but rather every week or so. Shooting nikon/canon glass on your own time or for low-budget clients, then renting or shooting for productions that can afford those S4's.
Perhaps someone from Red can chime in as to whether this sort of thing was in the design spec?
EDIT: another video I've seen suggests taping two witness marks onto your backfocus ring, and realigning to those when you swap mounts. Can this possibly be accurate enough?
1) mechanical - are those tiny little screws and other little bits really designed to be dis/reassembled 20/50/100 times without wearing out? The guys at ET claim that even the mini-BNC's are only rated for 500 mating cycles [ LINK ]. I can only imagine that something as precise as a lens mount would be more delicate.
2) calibration - I assume the mount needs to be re-backfocused with every mount swap. Threads like this [ LINK ] make that procedure sound non-trivial to get 100% right... And definitely something that requires a properly collimated PL mount lens - which sort of defeats the purpose of swapping in a nikon mount in the first place. (I.e., if you could afford to own PL glass, you wouldn't necessarily need a nikon mount.)
To be clear - I'm not talking about swapping once every couple of months, but rather every week or so. Shooting nikon/canon glass on your own time or for low-budget clients, then renting or shooting for productions that can afford those S4's.
Perhaps someone from Red can chime in as to whether this sort of thing was in the design spec?
EDIT: another video I've seen suggests taping two witness marks onto your backfocus ring, and realigning to those when you swap mounts. Can this possibly be accurate enough?