Run and Gun down under

[Cail Young]

Some faffing around at a university during a camera demo.

2K H.264 Quicktime (135MB)

1K MPEG-4 (83MB)

Shot 4K or 2K for high speed
Log and Transfer into FCP (buggy)
XML of sequence out
Crimson transform to REDCINE construct
REDCINE best-light to REDlog DPX
EDL of sequence in to Color to conform DPX
Render to Prores HQ
Send back to FCP (buggy)
Add titles and graphics, export with 2.35 crop.

 

[Mike Prevette]

Interesting work flow, I hadn't thought of dpx > color + Edl > color. very cool!

 

[Cail Young]

Color's "Send to FCP" is a bit crappy if you haven't come straight from FCP through the normal route; it wasn't sending the whole sequence back. Need to find a better workflow for something real.