- Banned
- #1
Hello,
How about making a sort of lens mount that allows two lenses, then instructs the RED to record 2K for left lens and 2K for right lens: one frame left, one frame right 50 frames a second etc.. (since it can handle 4k) and then it could make a 3D output..
Either with polarised technology or green/red..
would be certainly future proof as more and more cinema is slowly heading that way. Soon our children will say
"what, 2D? boring"
Plus would be soo much cheaper and less heavy than two reds on a rig
Any thoughts?
How about making a sort of lens mount that allows two lenses, then instructs the RED to record 2K for left lens and 2K for right lens: one frame left, one frame right 50 frames a second etc.. (since it can handle 4k) and then it could make a 3D output..
Either with polarised technology or green/red..
would be certainly future proof as more and more cinema is slowly heading that way. Soon our children will say
"what, 2D? boring"
Plus would be soo much cheaper and less heavy than two reds on a rig
Any thoughts?