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Slow-Mo Sodium Vapor?

Kip Hewitt

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I shot some 3K 36fps last night out in the street and of course all my footage has a flickering buzz to it.

The on board LCD showed none of this during the shot. Does anyone know the right shutter/fps combination to prevent this? And for future reference, is there a fool proof way to figure this out in the field?
 
This chart list frame rates that are safe at any shutter angle for 60 Hz discharge lights:
http://www.cely.com/flickerfree.html

Generally if you can shoot with a 1/60th shutter speed at a crystal-sync speed, you're fine for 60 Hz lighting. So if you want to shoot at 36 fps, I guess to get 1/60th, you'd need a shutter angle of around 216 (and a fraction), which most movie cameras cannot do, but most video cameras can be set for 1/60th. I believe 1/120th also works. And 1/30th should also work, which isn't really possible at 36 fps (with a 360 degree shutter, max exposure time can only be 1/36th at 36 fps.)

There's a chart here for safe speeds in combination with certain shutter angles for 60 Hz lighting:
http://www.panavision.com.au/Information/Flickerfree60Hz.htm
 
Thank you, guys. This is a big help.
 
Yeah, but just getting "flicker free" isn't enough when you're dealing with a rolling shutter. Rolling shutter introduces its own brand of complications when shooting under a discontinuous light source. If it's an extremely high frequency source, you're okay, but if it's a low-frequency light cycle you're going to get banding throughout the images, which will scroll up or down depending on how out-of-phase your frame rate is with the cycle of the light.

In short -- you can't shoot effectively under slow-cycle discontinuous lights with a rolling shutter CMOS camera.
 
when the redbook barry?..
 
That'll have to wait until I know everything there is to know about the Red One! :)
 
Yeah, but just getting "flicker free" isn't enough when you're dealing with a rolling shutter. Rolling shutter introduces its own brand of complications when shooting under a discontinuous light source. If it's an extremely high frequency source, you're okay, but if it's a low-frequency light cycle you're going to get banding throughout the images, which will scroll up or down depending on how out-of-phase your frame rate is with the cycle of the light.

In short -- you can't shoot effectively under slow-cycle discontinuous lights with a rolling shutter CMOS camera.

At 24 fps under 60 Hz discharge lighting with a 180 degree shutter, I think you get around 2 1/2 pulses per frame, 2 pulses exactly with a 144 degree shutter. I think this would be fine with the rolling shutter (otherwise you couldn't even shoot under fluorescent lights in an office or grocery store, let alone under streetlamps) -- it's when using the higher frame rates / shorter shutter speeds, you may be getting only one pulse per frame where it could become more of a problem.
 
but if it's a low-frequency light cycle you're going to get banding throughout the images, which will scroll up or down depending on how out-of-phase your frame rate is with the cycle of the light.

And,

it's when using the higher frame rates / shorter shutter speeds, you may be getting only one pulse per frame where it could become more of a problem.

Under a sinusoid illumination flicker, which is typical under 60 HZ, or 50 HZ countries, the captured image can be made "flicker-free" when the (rolling shutter) sensor integration time (exposure time) is a multiple of the reciprocal of the twice the line frequency.

Phase will not matter in the case of a continuous sinusoid as long as the above mentioned constraint is followed.
 
So I can use a magnetic ballast on an HMI and shoot okay with a rolling shutter so long as I maintain the right shutter speeds? (1/48th, 160/th, etc.?)
 
If I understand what some people are saying here, there might be some really short shutter speeds that are safe for film but not for the rolling shutter under 60 Hz / 50 Hz AC pulsing lights. Don't know what those are without testing, maybe in the 1/120th range and shorter.
 
If I understand what some people are saying here, there might be some really short shutter speeds that are safe for film but not for the rolling shutter under 60 Hz / 50 Hz AC pulsing lights. Don't know what those are without testing, maybe in the 1/120th range and shorter.

Does not have to be short, any exposure time that is not a multiple of 1/120 (for 60Hz) and 1/100 (for 50 Hz) shall show some flicker in the case of a rolling shutter sensor.
 
So would 1/48th? (2.5 pulses?) Should I just shoot everything at 1/60th, then?
 
Does not have to be short, any exposure time that is not a multiple of 1/120 (for 60Hz) and 1/100 (for 50 Hz) shall show some flicker in the case of a rolling shutter sensor.

I'm not talking about classic hertz flicker problems, I'm talking about the partial or "broken" frame problem that the rolling CMOS shutter causes under strobe lighting and whether it can also occur with very short shutter speeds under discontinuous AC lamps.
 
I have shot 75 fps 2K with fluorescent 60hz lighting, and have had to use a 120th of a second shutter to keep it from flickering. I've also shot with magnetic ballast HMI's and had success with 60 and 120 shutter speeds. The phase adjustment works well in eliminating flicker altogether. I noticed I got a very slight flicker even at 60 until I dialed in the phase adjustment.

So far I haven't noticed any rolling shutter type artifacts with either standard fluorescents or magnetic ballast HMIs.
 
I'm not talking about classic hertz flicker problems, I'm talking about the partial or "broken" frame problem that the rolling CMOS shutter causes under strobe lighting and whether it can also occur with very short shutter speeds under discontinuous AC lamps.

David, I think I understand what you are talking about, if not please correct me. Flicker can manifest itself as inter-frame artifacts, to which we are used, and for a rolling shutter camera, also as intra-frame (on a frame by frame basis).

The following is an example of the "banding effect" of flicker on a single frame of a rolling shutter camera because of 60/50 Hz frequency. I have added some contrast to make it more viewable:

7051_1204604209.jpg


Not exactly a tearing/broken frame problem, however, still nauseating because of change of intensity variation resulting from the mismatched timing of the rolling shutter with 60/50 HZ line frequency.
 
So would 1/48th? (2.5 pulses?) Should I just shoot everything at 1/60th, then?

I would tend to think that 1/60 is better for 60 Hz countries where you think certain lights might cause flicker. Flicker can be "hidden" in the content of an image if the content can be arranged to provide enough dithering.

In addition, the presence of dominant image signal energies near flicker frequency can also cause the flicker to be "swamped" and less noticeable.
 
Interesting; fwiw, the hvx seems to do fine with HMIs (so long as the power source is good) at 1/48th... Not that it's a huge problem; I just hate losing however much light (1/3rd of a stop or something?)
 
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