Sanjin Jukic
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I think there is a market opportunity here for the first lens expert who stops saying "you kids won't like how expensive it'll be" and instead just posts on RedUser:
GROUP BUY - NIKON 80-200 2.8 REHOUSING
- Optics were used in Bourne Ultimatum
- I'll rehouse with PL mount, cine-style iris and a nice long, geared focus throw that goes in the right direction
If 5 people commit - $9500 + cost of lens
If 10 people commit - $6500 + cost of lens
If 50 people commit (or I take the risk and do some more) - $5500 + cost of lens
If you guys don't need the PL mount (just want nice focus and iris, can use Red Nikon adapter), I'll take $1000 off the price.
GROUP BUY - NIKON 28-70 2.8 REHOUSING
- Optics were used in Bourne Ultimatum
- I'll rehouse with PL mount, cine-style iris and a nice long, geared focus throw that goes in the right direction
5: $10,000, 20: $6500, 50: $5000 (Nikon mount version $1000 less)
GROUP BUY - NIKON 14-24 2.8 REHOUSING
- superb optics
- I'll rehouse with PL mount, cine-style iris and a nice long, geared focus throw that goes in the right direction
5: $12,000, 20: $9000, 50: $6000 (Nikon mount version $1000 less)
Whoever rises to the challenge will I'm sure be rewarded. Jorge? Century? Douglas Underdahl?
Dalsa is probably doing this with Leica still lenses. Red is probably doing this with Sigma still lenses. Panavision have done this with Nikons. SamCine and Century have done this in the past with Canons. Why are the independent lens experts scared all of a suden?
I think people would also be interested in taking cheap fast still prime camera lenses and just fixing the iris and the way they focus for cinema use. Again, maybe no PL-mount re-grinding needed. We have adapters for Nikon, Canon (and Leica, etc via Leica -> Canon adapters). You could also sell to all of those guys who bought 35mm adapters (RedRock, P+S Technik, Brevis, SGpro, Letus) and now realize they need workable lenses to pull focus with. If you posted on RedUser, DVXuser, all the 35mm adapter boards, etc, you would have a good response.
You could offer anything from converting old Nikon manual focus lenses to converting those new Zeiss manual-focus ones, to legendary Leicas, to a pricey set of Canon super speeds (say, 24mm f1.2L, 35mm f1.4L, 50mm f1.2L, 85mm f1.2L, 135mm f2L - but maybe those would be harder to convert due to their being modern).
Again, the first person who stops saying "you won't like the price" and starts saying "this is the price range" is the first person who'll get business.
Bruce Allen
www.boacinema.com
Bruce sorry just to be clear with a connection between Panavision and Leica here:
Also to add that Panavision lives mostly from the renting of Panavision Primo L lenses with Panavision camera systems
that are based on Leica glass design from the lens designer Walter Mandler a famous lens designer of Ernst Leitz Canada (Leica) at Midland, Ontario.
1983 Ernst Leitz Canada begins work with Panavision for state-of-the-art cinematographic lens.
One of the first films shot with the Primo-L lens series was “Empire of the Sun" directed by Steven Spielberg.