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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Showreel Magazine Red One Article

Alex Wengert

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The July/August U.S. edition of Showreel Magazine has an interview with Richard Buck regarding the making of Crossing The Line
 
I wonder if anyone from AC will be going out to Soderbergh's sets to report on the RED? I think with the picture shooting in Europe now, RED is only one type of camera being used (along with 35mm, unless I am mistaken), whereas with Soderbergh's pictures, it's an all-RED shoot, I think.
 
I assume I can pick this up at Barnes and Noble?
 
This is probably a good issue for Red shooters. Its focus seems to be on 4k problems/solutions/companies etc.

I was thinking the same thing. :biggrin:
 
'course I can't be considered a source of impartial information in this instance. ;)

:biggrin: I was just about to start reading your article,"Devil in the Detail" Gavin, looks good! Congratulations Gavin and thanks in advance for the good info. :-)

Cheers,

Andrew
 
I just got my issue 2 days ago. This is the first time I've read Showreel and so far I'm big fan.

I really liked the article on the Codex. I would definitely like to see some presets in REDcine to emulate as much of that export functionality as possible.

--

Oh I should probably mention I noticed one typo in my article I said Wavelets give you 1/(n^2) resolution proxies. But that would be weird. That means you would get 1/4, 1/9, 1/16th etc proxies. I meant to say 1/(2^n) resolution proxies. Oh well.

and if anyone is interested in like a 300 MB layered photoshop file PM me. I'll see if I can't get it up on an ftp or something.
 
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