Peter Moretti
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- Apr 20, 2008
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I am watching "El Cid" with Charlton Heston and Sophia Loren, cinematography by Robert Krasker.
I am totally impressed by the framing and camera movement. The 2.35 aspect ratio is well utilized by having meaningful action or beautiful imagery fill the edges of the frame. Additionally, there is great use of depth, so what's in the b.g. adds to the framing; this makes the deep focus very appealing.
There is also a certain theatrical expertise in the lighting and staging which adds to the story and guides your eye without having to rack focus or move the camera.
But when the camera does move, it feels well motivated. An interesting technique used is dollying in and then backwards. I'm not sure why this was done, but it seems to work.
Overall, I am just very impressed with the look of this film!
I am totally impressed by the framing and camera movement. The 2.35 aspect ratio is well utilized by having meaningful action or beautiful imagery fill the edges of the frame. Additionally, there is great use of depth, so what's in the b.g. adds to the framing; this makes the deep focus very appealing.
There is also a certain theatrical expertise in the lighting and staging which adds to the story and guides your eye without having to rack focus or move the camera.
But when the camera does move, it feels well motivated. An interesting technique used is dollying in and then backwards. I'm not sure why this was done, but it seems to work.
Overall, I am just very impressed with the look of this film!