David McDonald
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I'm working on a show that was shot over a year ago, and it's finally being finished. Everything was transcoded a long time ago to 1/4 debayer for editing offline, and now that the online editing is being done, we've discovered that a couple of the R3D files are missing (it appears the footage may have been transcoded off of the SSD Card and the R3Ds may not have transferred to the hard drives properly).
So this means our only option may be to live with one of these 1/4 debayer ProRes shots in the final film (it's an indie feature). I think it's only one shot. How bad is it to keep one of these files in the finished film? I was under the impression that the resolution isn't necessarily worse (it's 1920x1080), it's just lacking color information.
I've had similar situations with music videos for YouTube, where I've had really rushed deadlines and didn't have time to re-transcode and re-color correct a shot and ended up keeping a 1/4 debayer shot in the cut and no one could tell....so I'm of the opinion that you can get away with it for one or two shots.
Does anyone have some more insight into this? What exactly is 1/4 debayer lacking vs. Full quality?
So this means our only option may be to live with one of these 1/4 debayer ProRes shots in the final film (it's an indie feature). I think it's only one shot. How bad is it to keep one of these files in the finished film? I was under the impression that the resolution isn't necessarily worse (it's 1920x1080), it's just lacking color information.
I've had similar situations with music videos for YouTube, where I've had really rushed deadlines and didn't have time to re-transcode and re-color correct a shot and ended up keeping a 1/4 debayer shot in the cut and no one could tell....so I'm of the opinion that you can get away with it for one or two shots.
Does anyone have some more insight into this? What exactly is 1/4 debayer lacking vs. Full quality?