BRANDON JAMESON
Well-known member
There's nothing wrong with sleight-of-hand and fakery in narrative filmmaking. Should a CGI effect in a movie shot in 35mm anamorphic avoid adding fake grain and anamorphic lens flares because it was solely created in a computer? Should we never add atmospheric haze to a scene where there would never be smoke in the air in real life? Should we only shoot night scenes at night? Can an actor only play a character that is his actual age?
Either the photographic technique works or it doesn't work, either it is justfiied or appropriate, or it isn't. By itself it's just a tool that can be used or abused.
Lets say you are hired to shoot a movie that the director wants to feel like it was made in the 1970's but for various reasons has to be shot on a digital camera. So if adding grain is forbidden because it is "false" then I suppose the actors can't wear fake sideburns and mustaches because that would be false too?
All that matters is the end result. If you add grain in post and no one questions it, and it adds something appropriate or narratively justified to the viewing experience, then it doesn't really matter whether the original raw files had it.
Well said, Mr. Mullen!