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Wildlife lens for RED ONE

Humberto Ramos

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Need some advice about wildlife lens for red one.

Does anybody uses sigma 50-500mm, nikon 80.400mm, nikon 500mm???

Please tell me your experience with the lens above or other lens you use.

Thanks and regards
 
Not the 50-500, but I just bought the 150-500mm. I tested it out last week and thought it looked pretty sharp. Have yet to use it in the wild. I have been looking for good long lens for a while. Was thinking about a 500 or 600mm, but could not justify the cost of a 2.8 Canon.
 
Not the 50-500, but I just bought the 150-500mm. I tested it out last week and thought it looked pretty sharp. Have yet to use it in the wild. I have been looking for good long lens for a while. Was thinking about a 500 or 600mm, but could not justify the cost of a 2.8 Canon.

Thanks Michael,

I haven´t used any, but I heard that the 50-500mm is a bit sharper, but it might depend on each individual lens. Also thinking in a nikon 500mm f/4 ED, a manual lens, but they are hard to find.

Anyone has used this lens?
 
The Nikon 500mm f4 is a great lens for wildlife - I have one and love it. I can't remember the figures, but I think it is much lighter than a 600mm f4 and a fair bit lighter than a 600 f5.6. I use it with lightweight 15mm rods.

Also worth checking out are the manual Nikon 300 f2.8 and, if you can find a good one, the 50-300 f4.5.
 
I've been using the Sigma 300-800 f/5.6. It's a monster, but I like the zoom range. But I'm using it on my Epic, not RED One.
 

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The Nikon 500mm f4 is a great lens for wildlife - I have one and love it. I can't remember the figures, but I think it is much lighter than a 600mm f4 and a fair bit lighter than a 600 f5.6. I use it with lightweight 15mm rods.

Also worth checking out are the manual Nikon 300 f2.8 and, if you can find a good one, the 50-300 f4.5.

Thanks Mark,

Would the Nikon 50.300 f/4.5 work well with teleconverters, or it will lose a lot of quality?
 
I've been using the Sigma 300-800 f/5.6. It's a monster, but I like the zoom range. But I'm using it on my Epic, not RED One.

Hi Joe,

Its indeed a monster, for now have no budjet, but will try to get one in the future also...
 
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Hello Humberto

we have two of the Nikon 200mm-400mm F4 zooms they are amazing lens, Strongly recommend.
 
Thanks Mark,

Would the Nikon 50.300 f/4.5 work well with teleconverters, or it will lose a lot of quality?


I've not tried it - generally I try to avoid using teleconverters with zoom lenses although I am happy putting them on primes. My 50-300 is an Optex conversion to PL mount - originally intended for shooting on S16 for a Serengeti project. It sat in its box for years but has had a new lease of life on our Epic M. I'd use it more often, but I have a lot of Nikon glass and don't like switching mounts in the field if its windy or dusty - which it is most of the time :)

It's not quite as sharp as the 2 Nikkor 300 2.8s I have but it is much more versatile for wildlife and doesn't need a lens support.
 
I've not tried it - generally I try to avoid using teleconverters with zoom lenses although I am happy putting them on primes. My 50-300 is an Optex conversion to PL mount - originally intended for shooting on S16 for a Serengeti project. It sat in its box for years but has had a new lease of life on our Epic M. I'd use it more often, but I have a lot of Nikon glass and don't like switching mounts in the field if its windy or dusty - which it is most of the time :)

It's not quite as sharp as the 2 Nikkor 300 2.8s I have but it is much more versatile for wildlife and doesn't need a lens support.


Thanks Mark,

I agree and have start looking for a 50-300mm to use with my RED ONE.
 
If you're willing to tolerate 2K, the Optex / Canon 14.5-480mm is THE classic wildlife lens. I just bought one and it's the dog's bollocks!

I think I saw another one for sale here a while ago...

EDIT well that was a fast Google... http://www.reduser.net/forum/showthread.php?48348-FS-Optex-14-5-480mm-Super16

Bloody Hell! $28k??!! I paid $4k for mine, and it's in better shape than that one!

Mike
 
Mike, you paid $4000 for one?! I definitely would have snatched that up in a hurry. How much does it weigh?
 
If you're willing to tolerate 2K, the Optex / Canon 14.5-480mm is THE classic wildlife lens. I just bought one and it's the dog's bollocks!

I think I saw another one for sale here a while ago...

EDIT well that was a fast Google... http://www.reduser.net/forum/showthread.php?48348-FS-Optex-14-5-480mm-Super16

Bloody Hell! $28k??!! I paid $4k for mine, and it's in better shape than that one!

Mike

Thanks Mike, first will need to get tsose 28K to buy an EPIC, and then if could get my hands in more 28K would buy one optex/Canon 14.5-480mm, for shure its a greeat lens, but out of my budget (for now) ;)
 
Mike, you paid $4000 for one?! I definitely would have snatched that up in a hurry. How much does it weigh?

Actually UKP 2600... it was on the bblist website I discussed elsewhere. A one-owner lens; had been used for documentary footage by the Royal Society for the Protection of Birds in the UK... definitely one of my better deals. Came in a Pelican with bits & pieces, including an Optex 2x PL doubler.... I'll get back to you on weight.

I think I'll start a new thread: what camera gets me the nearest I can to 4K in a S16 image circle? This lens seems good enough to be worth a try :-)

Mike
 
Ha! I found a website that says your lens including the upgrade by Optex was in the ballpark of $56,000 new as recent as 2002.... I'd say you got the deal of the century. http://www.cinematechnic.com/resources/optics_for_super-16.html

I just picked up an S16 Angenieux 7-81mm t/2.4.... I really like the idea of shooting with S16 lenses, especially with the possibility of dragon being slightly more dense in the resolution department. Additionally, shooting 3:1 compression at 2k and not burning through cards on those projects that don't require 4k, is pretty nice.

Lighter lenses with far more zoom range at faster f/stops... It's kind of the perfect mix.
 
Ha! I found a website that says your lens including the upgrade by Optex was in the ballpark of $56,000 new as recent as 2002.... I'd say you got the deal of the century. http://www.cinematechnic.com/resources/optics_for_super-16.html

I just picked up an S16 Angenieux 7-81mm t/2.4.... I really like the idea of shooting with S16 lenses, especially with the possibility of dragon being slightly more dense in the resolution department. Additionally, shooting 3:1 compression at 2k and not burning through cards on those projects that don't require 4k, is pretty nice.

Lighter lenses with far more zoom range at faster f/stops... It's kind of the perfect mix.

I have an old Angie 20x - the 12-240. Very different look to the Canon. The Canon is the one that makes me want 4K in a S16 image circle.

This is what I bought: http://www.bblist.co.uk/item.php?item=33419 - seems I did get a serious deal! Thanks for the info.

Wonder if I could trade it for a Master Zoom? :D

Mike
 
I've used my Canon 400mm 2.8 on the Epic a bunch of times (sometimes with the 1.4x extender). Looks fantastic. On the R1 I am shooting a Tamron 300mm 2.8[FONT=Trebuchet, Trebuchet MS] SP LD, but probably not enough reach for you .[/FONT]
 
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I've used my Canon 400mm 2.8 on the Epic a bunch of times (sometimes with the 1.4x extender). Looks fantastic. On the R1 I am shooting a Tamron 300mm 2.8 SP LD, but probably not enough reach for you .

I have "burn" all my budget on the R1, but was abble to get a sigma 400mm f/5,6 and will buy a nikon 50-300mm, more reach will have to wait for more money...
 
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