Jason Comparetto
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This is probably an easy fix, perhaps a Mac system setting that just needs to be adjusted, but here it is--
I get the picture looking beautiful in RED Cine-X. looks amazing, colors look rich
Then I export to ProRes 422 at 1920x1080. Everything smooth so far... until I open it in QUicktime. Looks awful-- the image is completely faded. Almost like it needs a serious Gamma adjustment. I can correct it in Final Cut if need be, but really, I should be able to export it from RedCine-X correctly the first time. And I guess I could try to compensate for it by over-doing the Gamma in Red Cine-X and hoping it will export "close enough" to what I want in the end. But I know that's not the right way to do it.
by the way, the image looks just as faded in FCP, so its not just QuickTime reading the file in a weird way.
I seem to remember there was some kind of System Gamma control on a Mac, but that was years ago. I'd hope they'd done away with that by now.
Ultimately I just want what I see in RedCine_X to export to ProRes 422, exactly. I hope that's possible
I get the picture looking beautiful in RED Cine-X. looks amazing, colors look rich
Then I export to ProRes 422 at 1920x1080. Everything smooth so far... until I open it in QUicktime. Looks awful-- the image is completely faded. Almost like it needs a serious Gamma adjustment. I can correct it in Final Cut if need be, but really, I should be able to export it from RedCine-X correctly the first time. And I guess I could try to compensate for it by over-doing the Gamma in Red Cine-X and hoping it will export "close enough" to what I want in the end. But I know that's not the right way to do it.
by the way, the image looks just as faded in FCP, so its not just QuickTime reading the file in a weird way.
I seem to remember there was some kind of System Gamma control on a Mac, but that was years ago. I'd hope they'd done away with that by now.
Ultimately I just want what I see in RedCine_X to export to ProRes 422, exactly. I hope that's possible