Welcome to our community

Be a part of something great, join today!

  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Good on camera mic for ambient/scratch?

Shawn Nelson

Well-known member
Joined
Dec 28, 2006
Messages
4,595
Reaction score
1
Points
0
Age
43
Location
Portland, OR
I know there have been some threads on cheapest scratch mic avail, but I want something better, something decent enough that ambient audio might be useable.

I know a few things about decent mics, I own MKh60 and a MKh50, some Sound Devices mixers and am familiar with pickup patterns and quality and so forth. So I'm not expecting all that much for just a few hundred, but hope to get something I can plug into my Epic and have passable ambience.

I'm thinking either the Sennheiser MKE 400 http://www.bhphotovideo.com/c/product/534023-REG/Sennheiser_MKE_400_MKE_400_Compact_Video.html

or the Rode VideoMic Pro http://www.bhphotovideo.com/c/product/744768-REG/Rode_VIDEOMIC_PRO_VideoMic_Pro_Compact_Shotgun.html

Any advice either way? Anyone using either of these?

Thanks!
-Shawn
 
I've been using the Rode NTG-2.

Great mic and you can power it using aa batteries.

I wonder how the NTG-2 compares to the VideoMic Pro or the MKe400?
 
NTG-2 is in a different class than VideoMic. NTG-3 is in another class all together and is ridiculously good. I've had the Rode guys give me a demonstration on all the differences. Although kind of derailing as NTG-3 is good enough for your main audio.
 
I know a few things about decent mics, I own MKh60 and a MKh50, some Sound Devices mixers and am familiar with pickup patterns and quality and so forth. So I'm not expecting all that much for just a few hundred, but hope to get something I can plug into my Epic and have passable ambience.

Getting "passable ambience" 3 inches away from the Epic fan is unlikely. An expensive microphone in a bad place usually performs worse than a marginal mike positioned in the perfect place.
 
Back
Top