Alex Olinger
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- Feb 25, 2012
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Hello,
I`m currently gearing up for a short film shot on RED and I`ll be handling the post workflow, and I was wondering what was the best worfklow would be for retaining titles when working with RED footage.
Currently, I am planning to make ProRes LT proxies from the raw R3D`s, edit with proxies in Final Cut 7, add titles/credits created with Final Cut/Motion, and then reconform back to R3D`s for the timing. I know that I can add titles as the last step in Final Cut if I rendered the color timed footage back into Final Cut, but I`m confused as to how I would retain the title work when using RedCine X Pro to render DPX files for final delivery.
In all my tests I only have blank gaps in the RED Cine timeline where the titles would be, so I don`t know how I would go about this.
Thanks in advance for any hellp
I`m currently gearing up for a short film shot on RED and I`ll be handling the post workflow, and I was wondering what was the best worfklow would be for retaining titles when working with RED footage.
Currently, I am planning to make ProRes LT proxies from the raw R3D`s, edit with proxies in Final Cut 7, add titles/credits created with Final Cut/Motion, and then reconform back to R3D`s for the timing. I know that I can add titles as the last step in Final Cut if I rendered the color timed footage back into Final Cut, but I`m confused as to how I would retain the title work when using RedCine X Pro to render DPX files for final delivery.
In all my tests I only have blank gaps in the RED Cine timeline where the titles would be, so I don`t know how I would go about this.
Thanks in advance for any hellp