I really really love the design and flexibility of the export settings in RedCine-X. Forgive me if these are silly questions, as I'm still getting used to the RED workflow:
1) Is there any way to control the timecode *embedded* in an exported quicktime? We can export our videos with BITC of *either* edge code or TOD code, but it seems like the MOV files we create always have the TOD timecode embedded in the file, and we have no control over it. Same with making a Quicktime Wrapper file - always TOD timecode. We really need to get the edge timecode embedded in the QT. Don't know how to do that without roundtripping through Avid or FCP.
2) I love the extensive controls over Quicktime Export Settings for video. However, it seems like there's no control over the audio export settings? It seems silly for us to make a screener for our AP's that is very small (h.264 640x360) but has uncompressed, 32-bit audio practically doubling the file size! Any way around this?
Thanks in advance for the help!
1) Is there any way to control the timecode *embedded* in an exported quicktime? We can export our videos with BITC of *either* edge code or TOD code, but it seems like the MOV files we create always have the TOD timecode embedded in the file, and we have no control over it. Same with making a Quicktime Wrapper file - always TOD timecode. We really need to get the edge timecode embedded in the QT. Don't know how to do that without roundtripping through Avid or FCP.
2) I love the extensive controls over Quicktime Export Settings for video. However, it seems like there's no control over the audio export settings? It seems silly for us to make a screener for our AP's that is very small (h.264 640x360) but has uncompressed, 32-bit audio practically doubling the file size! Any way around this?
Thanks in advance for the help!