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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

List of Color Systems that support Raw

L

Laura Creecy

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Quick list of current Color Correction/DI systems that support Raw image manipulation for mastering..... ?

1. RCX
2. Apple Color
3. ...
 
rephrase - where you can manipulate the raw metadata without affecting the quality of the image
 
Higher end sustems

Higher end sustems

DaVinci Resolve
Lustre
Baselight
Time to play with the big boys
We currently use DaVinci Resolve,
Cost about 25,000$ with new 12 core
Mac( 8 TB internal storage Plus all the
ram you can afford,, red rocket, expansion chasis
and a Flanders Scientific monitor ,
Tangent control surface, use Monitor for scopes It is amazing
for the cost
 
If you consider After Effects a correction tool, then add it to the list.

And don't forget Scratch!
 
Assimilate SCRATCH ... both the full version and SCRATCH LAB
 
Avid, Adobe, Mistika, Sony Vegas, Media 100, ... all directly work with R3D in one way or another. As Jake says, easier to mention that ones that don't.
 
While Democrats have typically embraced R3D's and their alternative lifestyle, Republicans have shunned the format, claiming that ProRes upholds a higher moral sensibility and that demands for software to support the Raw codec are just an attempt to extend entitlement programs.




Sorry, David... couldn't resist.
 
Christopher Barrett said:
While Democrats have typically embraced R3D's and their alternative lifestyle, Republicans have shunned the format, claiming that ProRes upholds a higher moral sensibility and that demands for software to support the Raw codec are just an attempt to extend entitlement programs.
Sorry, David... couldn't resist.
Click to expand...

Not only that, but ProRes is a proprietary format owned by Apple. Since Apple has about $500 billion in cash, they are clearly "job creators," so abandoning that format is not only unwise, it also will increase the deficit, create even higher unemployment, contribute to moral decay, and threaten our national security. Embracing R3d is a direct path to a government takeover of our motion picture industry. And since Obama supports R3d, it must by definition be evil, wrong, and harmful to the United States of America. It is, in other words, un-American, and anyone who supports it is obviously anti-American. Clearly the only sensible path is to embrace ProRes, eliminate all government programs that support R3d, and lower taxes for Apple and all users of Prores.


I couldn't resist, either...... Sorry. :sarcasm:
 
I must respectfully disagree. Over 71,000 freelance and independent producers have already signed a petition at Boldprogressives.org, donating more than $220k of their $300k goal to support grass-roots development of liberating new codecs, including Red Raw (R3D). While big business has the power to dominate a market with backward-thinking products for the sake of profit, the free market system will inevitably provide an alternative that is able to compete against and even displace such monopolistic autocrats. It's just a matter of time...
 
No, you're wrong. And you're clearly anti-American, because any true American knows that big business must be protected because it represents all that is good, and provides all of the jobs in the known universe. And if you don't agree with that, well, you might want to move to North Korea where they have the kind of totalitarian regime you clearly prefer.

Ohhhh........ sorry. I was at a tea party this morning. My mind is clouded.

Never mind. I'll stop now.

And everyone else probably should as well. Humor is often misinterpreted here......
 
As a member of the Green Tea Party, I support the move to R3D. R3D is organic and GMO free.
 
LCreecy said:
Quick list of current Color Correction/DI systems that support Raw image manipulation for mastering..... ?
Click to expand...
I'd add Quantel Pablo and Autodesk Lustre to that list.

The reality is that you can "manipulate" a raw image on just about any color corrector ever made. The trick is also having the ability to apply LUTs and access user-supplied metadata. That's the hard part.

We've been color correcting with raw images on film for... decades and decades. Ain't no magic to it. My joke is: we just keep turning the knobs and hitting switches until we like what we see.
 
M Most said:
Not only that, but ProRes is a proprietary format owned by Apple. Since Apple has about $500 billion in cash...
Click to expand...
"Only" $76 billion in cash, according to this July 2011 news story.

But Apple the corporation is worth $317 billion for their market cap. Hey, if nothing else, they're selling a lot more computers than HP these days...
 
M Most said:
Marc, it's a bit frightening that you actually took even one word of that post literally.
Click to expand...
Eh, I follow Apple pretty closely, so I knew the real numbers. It only takes five seconds to be accurate. Just the facts, jack.
 
Marc Wielage said:
Eh, I follow Apple pretty closely, so I knew the real numbers. It only takes five seconds to be accurate. Just the facts, jack.
Click to expand...



:mad2:


Geez, Marc.

IT WAS A JOKE. Maybe if I had said they had $10 trillion it would have been more obvious, instead of stating a measly $500 billion.

You used to have a sense of humor......
 
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