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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

An Examination of Cooke iPanchros. a Review.

Would love to see an Epic + Lens test with Ultra Primes, Master Primes, Cooke 5i/S4/Pancro, Leicas, Optimos, RPP's and perhaps a few others. I'm sure this will happen at some point but would be a lot of work and some pretty expensive hardware involved in such a test. Maybe SALT Pt 2 is in order :)

Anthony
 
someone on CML is doing a test with:

Red Pro Primes
Schneider Cine Xenars
Zeiss Compact Primes
Uniq Optics Signature Series
Luma Tech Illumina S35
Cooke Panchro/i
 
S4's/S5'swont cover 5k.... keep that in mind. if you want cooke look on Epic, you have to shoot panchros...
 
someone on CML is doing a test with:

Red Pro Primes
Schneider Cine Xenars
Zeiss Compact Primes
Uniq Optics Signature Series
Luma Tech Illumina S35
Cooke Panchro/i

Do you happen to know who that might be? I must have missed the CML posting regarding this.
 
The S4's 5's were designed before the epic frame was announced. They never figured a bigger frame was in the works I suppose.

The panchros, were designed after I guess.
 
i think dino said there might have be a little bit of falloff around the edges on the 18, not sure though. but 18 and up should cover on epic, you want anything wider though you'll have to resort to other options.
 
Well, with the volume of Epics that will be released into the wild later this year (probably over 10,000) I think it would be smart for Cooke to take the 14, 16 and 18 and redesign them slightly in order to cover Epic 5k. It's a pain in the ass, but they are going to lose so many sales (and rentals) to MP's, UP's or Leicas because those lenses fully the Epic sensor across all focal lengths.

Optimo went back and adjusted the 16-42 rouge to fully cover 5k ... if Cooke is smart they'll do the same.

Well, that's just one man's opinion :)

Anthony
 
I really don't think cooke has anything to worry about... the cooke looks is unique and highly coveted. they've been around for almost a hundred years, they'll be fine :)
 
Tom, I'm not saying they'll go under ... you're right, they will be fine and stay in business. But what I'm saying is that for those in the market for high-end lenses -- whether purchase or rental -- the fact that the wide focal lengths won't work with what is sure to be THE hottest and most widely distributed true cinema camera in the world (Epic) is a BIG drawback. The S4's are already expensive relative to UP's and perhaps overpriced compared to Cooke's own 5i series (just slightly more for the 5's through ZGC) .... so not covering 5k at the wide end makes the S4's a total deal breaker. Same with the 5's at over $150k for the set of 8 ...

Anyways, I'm actually a fan of the "Cooke look" -- but there's no way on earth I'd choose them over Leica or Zeiss' high-end offerings given this limitation.

Just saying that creating Epic-compatible S4/5i sets is in their best interest and probably worth the investment for Cooke :)

Anthony

P.S. -- All this is to say that the Panchros are looking like a better and better deal. I'm curious ... how is the rental rate/demand on them?
 
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So the options if you want the Cooke look is crop to 4K or 4.5k or shoot with a camera with a S35 sensor.

Tom, I'm not saying they'll go under ... you're right, they will be fine and stay in business. But what I'm saying is that for those in the market for high-end lenses -- whether purchase or rental -- the fact that the wide focal lengths won't work with what is sure to be THE hottest and most widely distributed true cinema camera in the world (Epic) is a BIG drawback. The S4's are already expensive relative to UP's and perhaps overpriced compared to Cooke's own 5i series (just slightly more for the 5's through ZGC) .... so not covering 5k at the wide end makes the S4's a total deal breaker. Same with the 5's at over $150k for the set of 8 ...

Anyways, I'm actually a fan of the "Cooke look" -- but there's no way on earth I'd choose them over Leica or Zeiss' high-end offerings given this limitation.


Just saying that creating Epic-compatible S4/5i sets is in their best interest and probably worth the investment for Cooke :)

Anthony

P.S. -- All this is to say that the Panchros are looking like a better and better deal. I'm curious ... how is the rental rate/demand on them?
 
Tom, I'm not saying they'll go under ... you're right, they will be fine and stay in business. But what I'm saying is that for those in the market for high-end lenses -- whether purchase or rental -- the fact that the wide focal lengths won't work with what is sure to be THE hottest and most widely distributed true cinema camera in the world (Epic) is a BIG drawback. The S4's are already expensive relative to UP's and perhaps overpriced compared to Cooke's own 5i series (just slightly more for the 5's through ZGC) .... so not covering 5k at the wide end makes the S4's a total deal breaker. Same with the 5's at over $150k for the set of 8 ...

Anyways, I'm actually a fan of the "Cooke look" -- but there's no way on earth I'd choose them over Leica or Zeiss' high-end offerings given this limitation.

Just saying that creating Epic-compatible S4/5i sets is in their best interest and probably worth the investment for Cooke :)

Anthony

P.S. -- All this is to say that the Panchros are looking like a better and better deal. I'm curious ... how is the rental rate/demand on them?

I dunno man, i would take S4/5's over pretty much any lens. MP included. ( Leicas .... maybe not ;)

The MP leave me feeling flat. I look at the monitor/dalies and i dont say, WOW! I say, oh looks good. I rarely shoot wider than a 25mm anyway, so having an 18 that will cover will be just fine. Plus on the bigger chip, and 18mm looks like a 16mm on MX
 
I dunno man, i would take S4/5's over pretty much any lens. MP included. ( Leicas .... maybe not ;)

The MP leave me feeling flat. I look at the monitor/dalies and i dont say, WOW! I say, oh looks good. I rarely shoot wider than a 25mm anyway, so having an 18 that will cover will be just fine. Plus on the bigger chip, and 18mm looks like a 16mm on MX

I agree Leicas are #1 on my list as well. But the lead time is a bit crazy now and is about to get worse :( Hopefully the package deal with the Epic is attractive. Also, I too would probably take 5i's over MP's -- which actually start at 18mm. Those are the one set of lenses I didn't get to see at NAB, which was disappointing. Btw, the people at ZGC told me a while back that the 5 series covers S35 and I'm not sure I've seen any Epic owners actually test the 18mm, so I wouldn't be surprised to see the entire 5i line cover 5k. They were developed long after the 4 series so again, it would not surprise me.

Still, they are nearly $10,000 more than the Leicas for a set of 8, unless you somehow get a discount.

Anthony
 
Well, with the volume of Epics that will be released into the wild later this year (probably over 10,000) I think it would be smart for Cooke to take the 14, 16 and 18 and redesign them slightly in order to cover Epic 5k. It's a pain in the ass, but they are going to lose so many sales (and rentals) to MP's, UP's or Leicas because those lenses fully the Epic sensor across all focal lengths.

Optimo went back and adjusted the 16-42 rouge to fully cover 5k ... if Cooke is smart they'll do the same.

Well, that's just one man's opinion :)

Anthony

It would definitely behoove Cooke to re-tool their wide offerings. That said, 18mm is wide and even wider at 5k. The "Cooke Look" that we all covet really shines from mid length lenses on up. So until they re-design the wides, I can always rent something else to cover my wide end. Granted that's nota perfect solution but would definitely work. In post, we can match the discrepancies. I primarily use Cookes for beauty work. I can live with using another brand for the wide.

When it comes to the Panchros, as much as I love the look of these lenses, I still find myself in tight locations having to stop down below a 2.8 to soften my backgrounds. So despite the sensitivity of the new cameras, I need that low stop option, especially for commercial beauty work.
 
If anyone is interested i will have my Epic M in a couple of weeks and will post some grabs from an 18mm panchro @ 5K.
 
If anyone is interested i will have my Epic M in a couple of weeks and will post some grabs from an 18mm panchro @ 5K.

that 18 mm panchro is mega kickass. 0 distortion, one of the best 18 mm's i've ever seen. happy shooting! can't wait to see the footage.
 
The Panchro 18 is almost "weird". It does not look wide because of the lack of distortion. IT just looks natural.
 
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