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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

For those of us looking at Vintage Zooms. A review.....

Thanks Rob!

I am about to buy a Lomo Squarefront Anamorphic 37-140 T3.3. This is gonna get awesome real soon..... ( or Really horrid..... and depending on the project that could be good or bad...)
 
I know that you are testing lenses and not cameras but it would still be interesting to investigate the notion that the best of all possible worlds is older glass on the new digital sensors.

Also, I note that you have the Cooke Panchros. I am thinking of getting these but of course there is the concern that T2.8 won't be fast enough. What is your experience on the Red MX sensor?
 
Thanks Rob! I am about to buy a Lomo Squarefront Anamorphic 37-140 T3.3. This is gonna get awesome real soon..... ( or Really horrid..... and depending on the project that could be good or bad...)

Ahhh - the infamous Lomo Foton - some people love it - others hate it! It's not considered to be amongst the best Lomo zooms (OPF-18 20-120 is supposed to be 'king of the zooms'), but I think some of this is subjective. The Squarefront Foton attachment is quite rare nowadays... looking forward to seeing what you get with it!

Nice write up on the Cooke Varotal - footage looks nice too... you seem to be enjoying the F3.
 
I know that you are testing lenses and not cameras but it would still be interesting to investigate the notion that the best of all possible worlds is older glass on the new digital sensors.

Also, I note that you have the Cooke Panchros. I am thinking of getting these but of course there is the concern that T2.8 won't be fast enough. What is your experience on the Red MX sensor?

Definitly! Read though the rest of my blog, i have a write up about a 1908 Wollensak CineVelostigmat modified for EF (and though the birger can go on REDone,F3, Epic, AF, really anything with a EF mount). I used for some photography on assignment in Iraq

I LOVE cooke glass. love it. With a working ISO800 on the MX/Epic, pretend its a T1.8 on a RedoneM (ISO320). Plus the panchros are sharp wide open, and match S4's for color, sharpness, contrast, bokeh, and flare exactly. They are just small S4's that are stuck at a T2.8 but cover 5k, and are smaller and lighter.

I'm actually starting to write the Panchro post now... so in a day or two it will be up.
 
Ahhh - the infamous Lomo Foton - some people love it - others hate it! It's not considered to be amongst the best Lomo zooms (OPF-18 20-120 is supposed to be 'king of the zooms'), but I think some of this is subjective. The Squarefront Foton attachment is quite rare nowadays... looking forward to seeing what you get with it!

Nice write up on the Cooke Varotal - footage looks nice too... you seem to be enjoying the F3.

Oh man im so excited. You see, i like a lens with lot of character. Soft? no problem anamorphics are about bending light in crazy ways, flares? its like cinematography curry, a little extra spice. I think im going to be very happy.

Yea, i love the RED, and have plans to purchase an EpicS. The F3 is a stopgap, had i purchased a used red i coulnt fit the panchros into my budget. I will have the panchos for the rest of my life... the F3? well, maybe another 2 years.
 
Very interesting, a good read - thanks! I'd like to see a vintage 25-250 shootout; Cooke vs. Angie or something like that

(and I'm *still* looking for a Cooke Mk1 25-250 - the big f2.8/T3.1 version.....)

Mike
 
If i can get my hands on them for a day or two each.... i will certainly write one up.

I would write from memory about Superspeeds, and The 24-290, but i dont have any visual aides..... that sort of shows nothing...
 
Oh man im so excited. You see, i like a lens with lot of character. Soft? no problem anamorphics are about bending light in crazy ways, flares? its like cinematography curry, a little extra spice. I think im going to be very happy. Yea, i love the RED, and have plans to purchase an EpicS. The F3 is a stopgap, had i purchased a used red i coulnt fit the panchros into my budget. I will have the panchos for the rest of my life... the F3? well, maybe another 2 years.

Couldn't agree more on lens character - love Squarefronts (cream & flare wonderment in my eyes) but some (I like to call them the 'unconverted' - LOL) don't like the Lomo/Ana look. Personaly, I think antique lenses give something 'back' to the digital image.

I agree, Lenses are for life :)
 
Very interesting, a good read - thanks! I'd like to see a vintage 25-250 shootout; Cooke vs. Angie or something like that (and I'm *still* looking for a Cooke Mk1 25-250 - the big f2.8/T3.1 version.....) Mike

There's a MkII on EvilBay at the moment... might be worth a best offer?
 
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If i can get my hands on them for a day or two each.... i will certainly write one up.

I would write from memory about Superspeeds, and The 24-290, but i dont have any visual aides..... that sort of shows nothing...

I'm in New York. If I track down the Cooke, you'll get to play with it, promise!

Mike
 
I'm in New York. If I track down the Cooke, you'll get to play with it, promise!

Mike

Oh aweosme! So if you ever need panchros, varotal, cp1's or a duclos 11-16 don't be afrait to call!
 
There's a MkII on EvilBay at the moment... might be worth a best offer?

Thanks for the heads-up... I noticed that, but I'm being picky... The only lens I really want is the rarer 'Super Cooke' MkI f2.8... this one:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=260740289591

I was determined to win that one on ebay, but got stuck at a big fire all day and missed it... been kicking myself ever since. If I find one, a nice one, and like the look as much as I think I will, I'd send it to Duclos or Visual Products and spend some serious money getting it right, and keep it forever. Very interesting lens, was slightly famous in its day for being used on the original 'Superman', IIRC.

Mike
 
We have the Cooke 18-100 T 2.9.... images do have a character unlike anything I've ever shot on.

Some samples below:

I've considered selling it, but i keep coming back for the character.

 
This is definitely going to become one of my favourite threads. I look forward to learning a lot.

Tim Concerning the Panchros - Nothing is going to deter me from purchasing them. It was smart to buy them first. Cameras come and go!
 
Cameras do come and go... faster and faster these days.... im just glad the panchros cover 5k. :)

@charaktr

The Silk spot has 18-100 written all over it! Was the entirety of the quaalcom spot shot on the Cooke varotal?
 
Thanks for the heads-up... I noticed that, but I'm being picky... The only lens I really want is the rarer 'Super Cooke' MkI f2.8... this one:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=260740289591 I was determined to win that one on ebay, but got stuck at a big fire all day and missed it... been kicking myself ever since. If I find one, a nice one, and like the look as much as I think I will, I'd send it to Duclos or Visual Products and spend some serious money getting it right, and keep it forever. Very interesting lens, was slightly famous in its day for being used on the original 'Superman', IIRC.

Mike

Ahh yes, EvilBay was the lens over in Italia... wonder who got it? Anyway, I'm sure another will pop up - looks like you feel the same way on the Cooke as I do with my Lomos :)
 
Very interesting, a good read - thanks! I'd like to see a vintage 25-250 shootout; Cooke vs. Angie or something like that

(and I'm *still* looking for a Cooke Mk1 25-250 - the big f2.8/T3.1 version.....)

Mike

I recommend looking for a mk2 or a 20-100.
I had a cooke 25-250 Mk1.. it breathed like a son of a bitch.. usually i can deal with breathing.. but not this lens.. it looked like i was zooming from 25mm to 50mm when racking focus..

but i am a HUGE cooke fan.. especially the older glass.. these cooke zooms.. 18-100, 20-100, 25-250 and the panchros.. LOVE THEM

I love my Kowa glass too.. its def cooler in color temp.. sharper than the cooke glass.. but over all i can get it all to match pretty well..

RETRO GLASS FAN ~
 
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