Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

District 9's 120TB of data article

Jonathan Smiles

Jonathan Smiles

Well-known member
Joined
Apr 22, 2007
Messages
220
Reaction score
0
Points
0
Website
www.digitalsafari.net
Hi All,

Here is a link to an article in definition magazine on District 9's 120TB of data.
http://www.definitionmagazine.com/post/district9.htm

Some things I can add are...

We shot on 40 x 8GB CF Cards, these cards where recycled 2200 times during principal photography. For the other cameras we had 6 x 8GB SxS for the EX1/EX3s(Documentary look) and 4 x 8GB SHDC for the Canon HF100s (CCTV look).

The busiest day on main unit was 7 hours of footage across all the cameras.

On set I looked after the RED cameras from the sensor back, keeping them going in the harsh conditions of Soweto. Plus DIT and data management for all the file based cameras and the SRW-1 VTR for the Cineflex aerials.

All of the rushes rendering was done in editorial supervised by Gary Lam our 1st Assistant Editor. He found the RED footage easier to handle albeit slower at first than the XDCAM-HD and AVCHD footage, which at that time had to be rendered out by FCP as the Avid at that time could not do XDCAM-HD or AVCHD natively.

At first it was taking 12 hours to get 1 hour of RED footage in front of Julian Clarke our editor as 1080p DNxHD36, this came down to 2.2 hours for 1 hour of footage by the time we did pickups in December 2008 thanks to RED Rushes.

Thanks to all of the cast and crew plus special thanks to Neill, Trent, Pippa, Trish, Houston, Gary, the guys at RED,HD-HUB, MEDIA Joburg and finally my assistant Dez.

I will be in LA from November 23rd until December 2nd if anyone is interested in meeting up.
 
Thanks for the insight Jonathan - really interesting to hear about the ins and outs of such a big production.

Loved the film too!

Cam
 
I really loved D9, as did my partner Shari (she thought it was better than Terminator 2!).
 
Was all the redcode footage about 20TB for one copy?
It would be interesting to know how that 120TB broke down for
various dalies deliverables and copies.
 
I can't remember the numbers but 120TB is absolutely everything.

I estimate that for RED footage it would be 15 to 20TB for a single copy of all the rushes.
 
I went into the movie without knowing anything about it... I was in a theater in Santa Cruz when suddenly after 15 min into the film the screen went black... I expected aliens to storm the place any minute... it was really creepy... everybody left the theater using their cell phones as torch lights... complete power blackout... the whole city center was dark...

people in the streets were gathering around a group of drummers... it felt like ancient times before man had electricity and dancing around the fire at night was the only thing you could do to get over your fear of the dark...

2 hours later power was back on and we caught the late show... great movie... really enjoyed it...
 
Hi Jonathan,
I am pretty new to the whole DIT/Wrangler terminology used and i think you are the guy best qualified to help me clear my head. I hope you can help me here.
On a shooting set is the DIT the same as a data wrangler? And when you were on District 9, when you said you handled all the file based cameras, do you do it alone? I am trying to create a proper digital gathering work-flow on set in Malaysia and trying to get my head around this. I have been told its generally one DIT per camera on a shoot so when you say you handle it all, and there were quiet a few REDs running around on D9, i got confused. Any information will help. Thanks and greatly appreciate all yr previous postings.
 
You must log in or register to reply here.
Back
Top